Natalie Zea Quotes
I won't name any names, but I've done a couple of shows where once the pilot got picked up, the creators openly said, 'I have no idea where we're going.'
Quotes to Explore
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A new untruth is better than an old truth.
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I never pursued being 'famous.'
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Often it seems that there are writers who are their best selves on the page. That Seamus Heaney was as genuine and deeply admirable in person as in his poems was to me a gift, then as now.
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As the arteries grow hard, the heart grows soft.
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I enjoy doing new tunes. It gives me a little bit to perk up, to pay a little bit more attention.
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As a child, I remember my dad would sometimes drive me into town with him to play pinball machines together. It's a bittersweet memory but also a favorite.
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I think it must be so hard to start your career with everyone going on about how gorgeous you are. To be in that bracket must be so pressurised.
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I'm a very interior person. I love silence. I revel in it. I'm happy that way.
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I've matured since joining United, on and off the field.
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What I know is, is that if you do work that you love, and the work fulfills you, the rest will come.
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I was a huge ham in school in Atlanta.
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Warren Beatty once told me that if someone's really stuck on you, find them their next boyfriend. But I could never do that.
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I always loved advertising. If I hadn't been in fashion, I'd have been in advertising.
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There is one day that is ours. Thanksgiving Day is the one day that is purely American.
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It is as difficult to define or classify Islamic cinema as it would be a Christian, Jewish or Buddhist one.
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Politics is largely a matter of heart.
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If a Democrat took Republicans on rudely, they wouldn't be elevated in the Democratic Party. There's a different standard. We're supposed to be polite to people.
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You have to be brave and not always play likeable people. It's difficult, because there's a demand for the hero or heroine to be very likeable.
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There's times where you think, 'Gosh, what if nobody ever wants to hear what I have to say?'
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It's an honor to be presented with an opportunity to follow in the footsteps of my mentor, Mike Mansfield, who worked to strengthen and improve America's important relationships throughout Asia.
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Many movies about people recovering, moving on, and redeeming themselves are really wonderful and inspiring. But I think the more sentimental ones that are less good make me feel isolated - like, if you can't pull yourself up by your bootstraps like the guys in the movies, there is something wrong with you. That's a shame.
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I treat the photograph as a work of great complexity in which you can find drama. Add to that a careful composition of landscapes, live photography, the right music and interviews with people, and it becomes a style.
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My view is that musicals are love stories with great final scenes. It's just that simple. Musicals are also conflicts between two worlds. And by those criteria, 'The Color Purple' is actually exactly the kind of story that makes for a great musical. Yes, it's got hard stuff in it, but so does 'Les Miserables' and 'Phantom of the Opera.'
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I won't name any names, but I've done a couple of shows where once the pilot got picked up, the creators openly said, 'I have no idea where we're going.'
