Dana Ashbrook Quotes
Quotes to Explore
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Many miles away there's a shadow on the door of a cottage on the Shore of a dark Scottish lake.
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At some hotels, I feel like I have to be dressed to the nines - perfectly eccentric - to walk out the door.
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I'm typically single. I'm the girl who - I call it girl-next-door-itis - the hot guy is friends with and gets all his relationship advice from but never considers dating.
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Rossi was the first to describe another system working with valves in parallel; it has the advantage that it can easily be extended to coincidences between more than two events, and is therefore predominantly used today.
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When you're in a songwriting class, and you write a song, and you hand it in to a teacher to grade, I'm still going to say that it's a really awesome song whether I got an A or a D. I learned to stick to my guns and take the tools as tools and not as rules.
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My mom started working at the California Shakespeare Theater in Oakland when I was two years old, so I've always grown up around theater.
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I've always been a fan of sci-fi, fantasy, and horror. I like working with larger-than-life characters in fascinating worlds - places where the rules are different.
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I have very long, wild hair, a suntan and wear knee high boots and ignore all the rules about what you should or shouldn't wear at whatever age.
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I love working in America, I love being part of the industry out here.
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We were poor, my mother and I, living in a world of doom and gloom, pessimism and bitterness, where storms raged and wolves scratched at the door.
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I was amazed at the support that I got when I was in there. And when I came out people knew that I was back on track. I was interested in working again.
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I've been pretty lucky with neighbors. But back in 1998, I lived, like, literally next door to Wrigley Field in Chicago. And I had, like, 50,000 bad neighbors spread out over the course of one summer. I'm a diehard Cubs fan, but living right next to the ballpark, it's just - as you're trying to go to sleep, you can just, like, hear urination.
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All the sounds on 'Trapped in the Closet' - the knockin' on the door, when I grab the keys, when I walk down the stairs, the car horns - we sampled all of those things around my house.
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There are no rules to writing a song.
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I made a big family when I was working at 'Vogue' for ten years, and I'm still friends with a lot of them.
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It was really fun working with Jamie Foxx and Cameron Diaz on set.
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I never wanted to be a director. I came into this industry by the little door, so I never learned anything; I never went to school. Actors will tell you I'm very precise. I just have the intuition of doing things.
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Whenever you write for someone else, you're always aware - sometimes overtly, other times at an almost cellular, subliminal level - of the rules about what you can and can't do.
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There are no rules when it comes to love.
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There are three rules for writing a novel. Unfortunately, no one knows what they are.
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Do what thou wilt shall be the whole of the Law. The study of this Book is forbidden. It is wise to destroy this copy after the first reading. Whosoever disregards this does so at his own risk and peril. These are most dire.
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Laughing and crying are very similar. They're an extreme response to life. You see it in children who start laughing hysterically.
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Working with David Lynch, rules go out the door.
