Dana Ashbrook Quotes
Quotes to Explore
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Many miles away there's a shadow on the door of a cottage on the Shore of a dark Scottish lake.
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At some hotels, I feel like I have to be dressed to the nines - perfectly eccentric - to walk out the door.
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I'm typically single. I'm the girl who - I call it girl-next-door-itis - the hot guy is friends with and gets all his relationship advice from but never considers dating.
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Rossi was the first to describe another system working with valves in parallel; it has the advantage that it can easily be extended to coincidences between more than two events, and is therefore predominantly used today.
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When you're in a songwriting class, and you write a song, and you hand it in to a teacher to grade, I'm still going to say that it's a really awesome song whether I got an A or a D. I learned to stick to my guns and take the tools as tools and not as rules.
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My mom started working at the California Shakespeare Theater in Oakland when I was two years old, so I've always grown up around theater.
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I've always been a fan of sci-fi, fantasy, and horror. I like working with larger-than-life characters in fascinating worlds - places where the rules are different.
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I have very long, wild hair, a suntan and wear knee high boots and ignore all the rules about what you should or shouldn't wear at whatever age.
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I love working in America, I love being part of the industry out here.
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We were poor, my mother and I, living in a world of doom and gloom, pessimism and bitterness, where storms raged and wolves scratched at the door.
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I was amazed at the support that I got when I was in there. And when I came out people knew that I was back on track. I was interested in working again.
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I've been pretty lucky with neighbors. But back in 1998, I lived, like, literally next door to Wrigley Field in Chicago. And I had, like, 50,000 bad neighbors spread out over the course of one summer. I'm a diehard Cubs fan, but living right next to the ballpark, it's just - as you're trying to go to sleep, you can just, like, hear urination.
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All the sounds on 'Trapped in the Closet' - the knockin' on the door, when I grab the keys, when I walk down the stairs, the car horns - we sampled all of those things around my house.
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There are no rules to writing a song.
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I made a big family when I was working at 'Vogue' for ten years, and I'm still friends with a lot of them.
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It was really fun working with Jamie Foxx and Cameron Diaz on set.
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I never wanted to be a director. I came into this industry by the little door, so I never learned anything; I never went to school. Actors will tell you I'm very precise. I just have the intuition of doing things.
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In history, one gathers clues like a detective, tries to present an honest account of what most likely happened, and writes a narrative according to what we know and, where we aren't absolutely sure, what might be most likely to have happened, within the generally accepted rules of evidence and sources.
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As far as criticism, I don't mind critics. I mean, I wrote for 'Rolling Stone' for a hot minute. I like criticism. I enjoy criticism. The thing I don't like is cruelty for cruelty's sake. You don't have to be a jerk to say something negative. You can say something in the negative sense and have class.
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I do not find the concept of consorting with unknown persons appealing.
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I recurred on 'Grey's Anatomy' for three years, and at the same time, I recurred for eight episodes on 'Rescue Me'. And I'd recurred for nine episodes on 'The Practice'. Frankly, the guest star is often the most compelling character.
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Surely men of low degree are vanity, and men of high degree are a lie: to be laid in the balance they are altogether lighter than vanity.
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I'm okay with anybody expressing their rights.
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Working with David Lynch, rules go out the door.
