Magic Johnson Quotes
Quotes to Explore
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Everything's a risk, by the way, these days. Every film you make is a risk. There's no guarantee.
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There aren't traditions of freedom in a place like Iraq. They're going to have to come to grips with a concept that they hadn't been allowed to conceive before.
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It's no longer a question of staying healthy. It's a question of finding a sickness you like.
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You know, I'm kind of a wild crazy workaholic guy.
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I produce for a low price and I sell it on my own to 80 countries.
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A Nicklaus Design golf course is done by the guys in my company that I work with, that have been trained in my vision, and they do what they think I might do. They might come in the office and ask me questions and I'd certainly answer their questions, but I'm not involved in the site visits or anything else.
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I don't pretend to be anything but an actor and a writer.
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My parents and my brother instilled in me my sense of humor. That's kind of the way we communicate with each other, and it's always been a way for me to get to know people.
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The simplest toy, one which even the youngest child can operate, is called a grandparent.
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I started riding the whole 'fluffy' train, and it's a cute word and socially a lot more acceptable than someone saying is fat or obese. If you call a girl 'fat,' yo, she'll raise hell, but if you say, 'Aw girl, look at you, you're fluffy,' there's almost a sexy appeal to it.
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I am interested in the way that we look at a given landscape and take possession of it in our blood and brain. None of us lives apart from the land entirely; such an isolation is unimaginable.
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A dinner invitation, once accepted, is a sacred obligation. If you die before the dinner takes place, your executor must attend.
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As scary as it is, I like making real, direct eye contact with people from the stage. In a sense, it's like modeling: that feeling of locking in and projecting some kind of emotion to try to captivate people.
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I'm not afraid of special effects, but I see them very much as a means to an end.
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I've lived in New York for 40 years. I came right after college.
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For people who think of chicken as the meat choice of those-who-don't-really-like-meat, brining a bird will be a revelation.
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The emotions of the game do not change.
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I sense that by writing both books and television, I've become better at each.
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I don't like the word 'urban' because I think it's a bit of a generalisation and they use it to class music, but I don't think it's a word that necessarily classes music.
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You acquire certain tastes. And if your taste happens to coincide with the majority of people, then you're in pretty good shape. But you're not always right. There were times when I stubbed my toe, and some will end up being on my tombstone - like 'Supertrain.'
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Once you learn to 'speak' money - which is what I felt I did through the research that led me to write 'Whoops!' - you start to see it at work all around you. It's like a language, a code written on the surface of things; it's in flow all around us, all the time.
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I love putting people to work of color.
