Ngugi wa Thiong'o Quotes
We can appreciate each other's languages. And the question of being uncomfortable about our languages would go away.
Quotes to Explore
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I like snakes. I like hummingbirds. There's nothing on earth I don't like. Frogs. Salamanders. The bunnies, the giraffes, the hippopotamuses.
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Being jealous of a beautiful woman is not going to make you more beautiful.
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As scary as it is, I like making real, direct eye contact with people from the stage. In a sense, it's like modeling: that feeling of locking in and projecting some kind of emotion to try to captivate people.
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To appreciate present conditions, collate them with those of antiquity.
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Between the ages of 18 and 20, I made three hour-long films. One was a superhero film called 'Carbolic Soap.' One was a cop film called 'Dead Right.' And the other was called 'A Fistful Of Fingers.'
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I have been blessed with friends who do things rather than buy things: friends who will change books at the library, take a bag of your old clothes to a thrift store, bring you cuttings and plant them in a window box, fill the bird feeder in your garden when you can't get out.
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People never believe you.
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When I was a kid, like 14 or 15, I played with the waiters from the hotel, 'cause that was the best game. And these guys, they'd let me play. And they were black guys.
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The truth is, sex doesn't mean that much to me now.
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When it is good, theatre takes a lot of beating both to watch and perform.
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I never really took a proper art class in college. I just started reading art magazines and going to galleries. I was really drawn to it.
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You expect far too much of a first sentence. Think of it as analogous to a good country breakfast: what we want is something simple, but nourishing to the imagination.
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I respect myself and insist upon it from everybody. And because I do it, I then respect everybody, too.
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I feel that my characters all have some part of my character. I feel that they're all me in some way, certainly not in individuality, but they all bear elements of what I feel.
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Do you have no sense of self-preservation?
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When we are not engaged in thinking about some definite problem, we usually spend about 95 percent of our time thinking about ourselves. Now, if we stop thinking about ourselves for a while and begin to think of the other person's good points, we won't have to resort to flattery so cheap and false that it can be spotted almost before it is out of the mouth.
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Nobody leaves this place without singing the blues.
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I know it's a guy thing to chest bump, but me and my dancers chest bump before hitting the stage. Not too hard though...ouch!
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She pulled it off, ... It was her voice and that take-no-prisoners attitude when she's onstage, she was just out there, hungry to be the star.
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I want every character be an outsider in some way.
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I think there is a real thing going on where writers are feeling more liberated to write with a big canvas because of a demonstrable, continued appetite for long-form storytelling.
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We can appreciate each other's languages. And the question of being uncomfortable about our languages would go away.
