Bart Ehrman Quotes
In oral societies it is recognized that the telling of a story to a different audience or in a different context or for a different reason calls for a different version of the story. Stories are molded to the time and circumstance in which they are told.
Quotes to Explore
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I've always loved massive worlds, whether in fantasy or science fiction. I like the idea of making my own rules as well as utilizing everything that I love or inspires me. It's very freeing to know you can write a story that can be as big as your own imagination.
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All of my problems are rather complicated - I need an entire novel to deal with them, not a short story or a movie. It's like a personal therapy.
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I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience.
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When you're still, and some actors are really brilliant at that, you bring a kind of energy to you as opposed to sending the energy out. There are some actors, like Gary Cooper or Kevin Spacey, that are absolutely brilliant - Gene Hackman is another - at being and allowing the audience to just do the work.
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Every story I create, creates me. I write to create myself.
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You set up the story, but the characters start talking, and they go places that you didn't expect. You have to follow.
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So many songs are just a wink to the audience, but people take them seriously. 'My Humps?' C'mon!
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I know feeling pressure gets you nowhere creatively. You've just got to understand the character, understand the story, and just play it to the fullest extent.
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You as an audience can look at these things as films, but I remember them as social experiences.
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My ultimate aim would be to captivate an audience, even just for a second.
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There really isn't a story that you can't tell inside of it. It's very much a clearinghouse for anything that goes on in the world. So you're not at all limited.
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I believe that given the audience attention level, we could do an even more compelling 90 minutes.
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With a mini series you can give the story a proper sense of pacing, a proper sense of closure.
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There's no story that breaks, including a five-alarm fire in Brooklyn, that I don't wish I were covering.
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Genes are like the story, and DNA is the language that the story is written in.
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Reading a Lydia Davis story collection is like reaching into what you think is a bag of potato chips and pulling out something else entirely: a gherkin, a pepper corn, a truffle, a piece of beef jerky.
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I'm just very pleased and thankful that there was a receptive audience of people that I was able to connect with.
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For me, clothing is nothing without the story behind it. Everything I own evokes some kind of memory.
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On the subject of literary genres, I've always felt that my response to poetry is inadequate. I'd love to be the kind of person that drifts off into the garden with a slim volume of Elizabethan verse or a sheaf of haikus, but my passion is story.
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In a theatre it happened that a fire started off stage. The clown came out to tell the audience. They thought it was a joke and applauded. He told them again, and they became still more hilarious. This is the way, I suppose, that the world will be destroyed-amid the universal hilarity of wits and wags who think it is all a joke.
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You can actually muck with history and think about what if, why not. What if there were dragons in the Incan Empire that allowed them to resist colonization? What if there were a massive dragon empire in the middle of the interior of southern Africa that decided to take objection to the slave trade?
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The eyes, hands and body movements are important to make the dance sexier.
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I regret that my coauthors and I omitted statistically significant information in our 2004 article published in the journal Pediatrics. The omitted data suggested that African American males who received the MMR vaccine before age 36 months were at increased risk for autism. Decisions were made regarding which findings to report after the data were collected, and I believe that the final study protocol was not followed.
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In oral societies it is recognized that the telling of a story to a different audience or in a different context or for a different reason calls for a different version of the story. Stories are molded to the time and circumstance in which they are told.
