Winston Marshall Quotes
I've seen the Stones play for three hours, and the crowd knew every song. It's what you want in a headline slot at a festival.
Quotes to Explore
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When you're in a songwriting class, and you write a song, and you hand it in to a teacher to grade, I'm still going to say that it's a really awesome song whether I got an A or a D. I learned to stick to my guns and take the tools as tools and not as rules.
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I get so excited when a song I wrote that's very personal to me goes No. 1 and I look down and see people singing the words back to me.
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I have breakups that I can credit to every song. In my twenties, I picked people who would create that dysfunction and drama, so I could draw upon it.
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Personal relationships are usually my biggest inspirations for writing my songs. The best way for me to write a song is to visualise the story in my head, and I start humming a melody, and before you know it, a song is born.
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When I was a little girl, my dream was just to hear my song on the radio. It was very fascinating to me, and I was like, 'How do I do that?' Now it's like, 'Oh my God, my song is on the radio!'
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If someone had told me when I was a kid I'd get an ovation from Frank Sinatra! One time, I did a song called 'I Am A Singer', but I rewrote the words for Frank. I was in tears and, when he got up, so was he.
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That's my favorite part about songwriting, the way you write a song, and someone else might hear it a different way.
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If you asked me to sing a modern song, I wouldn't be able to - I can't easily slip into that groove. But if it were a song by Nico or The Velvet Underground, fine.
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One of my favorite albums in the world is Bruce Springsteen's 'Nebraska.' Each song has this very distinct character who has something profound to say.
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To write a love song that might be able to make it on the radio, that is something that is terrifying to me. But I can definitely write a song about that chair over there. That I can do, but to sit and write a pop song out of the clear blue sky, that is very difficult and I admire the people that can do it.
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The song 'What Goes Up' was inspired as I was playing the piano and reminiscing about the Spaceship One launches I witnessed in the Mojave desert. It is an awesome thing to comprehend the magnitude of what a human being dreams and imagines can be realized.
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My favorite show tune has got to be Stephen Sondheim's 'I Remember Sky.' It's probably the saddest song of all time; I sing it to myself in the mirror. No, I am kidding. That's the joke.
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Everyone needs a theme song! It should make you feel like a million dollars.
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I'm not too picky about guitars. I love to collect them, mostly oddballs, but I'm not married to any brand or model. Whatever guitar has the best character for the song is the one I want to use, because if you've got a style, you're going to sound like yourself no matter what guitar you play.
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A national festival is an occasion to refine and rebuild the national character.
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Once I come up with the concept, the rest of the song just comes.
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Sometimes I have a melody in my head; sometimes it's just a verse. I read lines from a book or movies that I watch and grab a few quotes and start writing on paper. From there, I record a really rough version and work on the song.
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Sometimes the song title comes with the songs, other times you just sorta make something up afterwards.
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You always will be singing a song or humming a line or a melody.
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'Homosexuality and lesbianism, like divorce, breed a society of single parents which gives rise to a generation of bastards. And in the context of much poverty and lack of education, this further produces an ill-bred generation of hooligans, portending much terror to the peace and stability of the society.'
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I never want to look in the mirror and say, 'What if? What if I had run harder? What if I had dived for that groundball?'
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However, my problems with my memory are further complicated by the fact that while I don't have any recollection of things I have actually done, I have very vivid recollections of loads of things that I haven't done.
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One of the things 'Cosmo' feels really strongly about is we need more women candidates running, and we need more women across the parties in D.C.
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I've seen the Stones play for three hours, and the crowd knew every song. It's what you want in a headline slot at a festival.
