Winston Marshall Quotes
The New Lost City Ramblers are a very good comparison, actually. They really took the music seriously, and we take the music very seriously. But we don't take ourselves seriously at all.
Quotes to Explore
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It's a luxury to not have to just be performing with other people to have my music heard.
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Music was a way of rebelling against the whole rah-rah high school thing.
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The idea of music is to liberate the listener and lead him to a frame where he feels he is elevated.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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I think I need to accept the fact that I am where I am today because fans have shared my music illegally and legally, but I wouldn't be here today without the Internet, so I can't speak out against it.
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I think what made it difficult for people to get, and still makes it difficult for people to get, is the theatrical nature of the work and the fact that, my music doesn't exist without the performance-art element.
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I took acting five times as seriously as anyone else. I just couldn't show it.
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My dad was a huge big band and jazz fan, and we both sort of enjoyed be-bop, but man, it required so much skill to play it. And then there was cool jazz, the era that Miles, Coltrane, and Ornette ushered in, and that found a home in me. It turns out that that music was just really where I breathed.
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Usually, the music inspires the lyrics. The lyrics just sort of fall off like a bunch of crumbs from the melody. That's all I want them to be - crumbs. I don't want to work any kind of fabricated message.
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Music evokes so many feelings in us, memories, nostalgia, things that are connected to our past.
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I go into military communities and do fundraisers and that kind of thing with the band, because I know that the music can help do a lot of things. It can bring communities together, it can raise awareness... and it entertains.
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There's consciousness in my music, and my music comes from a conscious place. And when people say that, I certainly take it as a compliment. But my job, in terms of selling my music, is to be universal and to try to get it to everybody.
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As Governor, I could think of only one way to unify our State that was made up of so many different climates, political beliefs and people, and that was our music.
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I'm disregarding all the rules I've seen as people approach writing music. I'm trying to break them.
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A composition is always more than the sum of its parts. In other words, a really good piece of music is more than itself. It's sort of like a prism, which you can see from each facet a single totality.
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Music is part of the life of fashion, too.
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Music is what our feelings sound like.
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I grew up doing musical theatre in Orlando, Florida. When I was 14, I just happened to be in the right place at the right time - a deliveryman heard me singing and offered to deliver my demo tape to Sony Music. I was just really lucky.
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I was never a fan of cozy mysteries of anything set in the countryside, you know.
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Film directing has perfected my theater directing. I think when I first started directing, a lot of my stuff was very lateral; I was afraid to have the actors' backs turned away, afraid to put them too far upstage, and I think once I did more things with film, I got more interested in composition.
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The New Lost City Ramblers are a very good comparison, actually. They really took the music seriously, and we take the music very seriously. But we don't take ourselves seriously at all.
