Winston Marshall Quotes
Quotes to Explore
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I'm not a coach and I know it. I'm too busy and it doesn't pay. I'm expensive. But I would always advise.
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One thing I really want to do is - I spent ten years in New York doing theater before I moved to L.A. to do TV and film. I'd really like to go to back New York and do some theater.
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I remember telling my creative writing teacher that you never want to have a journal, because if you lose it, then someone's going to know all your secrets. And then she stopped using a journal, but I always write everything down... Anytime I travel, I try and fill up notepads.
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I really wanted to find a piano for the farm house. There were so many free pianos on Craigslist, I thought, 'Let's get as many free pianos as we can and stick them all in the barn.' I got eight in a short period of time, only six of which were tunable, but it's still quite funny.
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If you want to evolve and reinvent yourself, you will need to observe people and explore a lot.
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You become the average of the five people you hang out with.
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And even within cities you have different dynamics in each asset class.
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You're the best athlete I've seen in high school.
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Self-taught poverty is a help toward philosophy, for the things which philosophy attempts to teach by reasoning, poverty forces us to practice.
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There is no work better than another to please God: to pour water, to wash dishes, to be a souter [cobbler], or an apostle, all is one; to wash dishes and to preach is all one, as touching tho deed, to please God.
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When you're in a band that's so big when you're young, you kind of lose your identity a little bit. You just become part of the band. I just needed to get away from it.
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I don't know anyone who would be exclusively working on game music, per se.
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There is perhaps nothing that is not musical. Perhaps there's no moment in life that's not musical... All instruments, musical or not, become instruments.
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The cello is a hero because of its register - its tenor voice. It is a masculine instrument, whereas the violin is feminine because of its soprano pitch. When the cello enters in the Dvorak Concerto, it is like a great orator.
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Universities are no longer educational in any sense of the word that Rousseau would have recognised. Instead, they have become unabashed instruments of capital. Confronted with this squalid betrayal, one imagines he would have felt sick and oppressed.
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Banjos, dobros, and acoustic guitars are not our first instruments.
