Malcolm Muggeridge Quotes
Quotes to Explore
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'Sister Act' was my first audition out of school. I was 21 and cast as the understudy. It was non-Equity, so I lived in L.A. on $300 a week. I did that for a month and then came to New York to do a couple of gigs, including 'Hair' in the park, before going to London with 'Sister Act,' where I played the lead.
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You just have to re-wire your brain when you're shifting from the stage to the screen or the silver screen or the HD flat screen.
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What I'm still grappling with and learning how to do is to be looking and thinking cinematically, having come from television.
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I think a lot of people are with the one they're meant to be with. I see it watching my parents because they've been together for so long and are still very much in love. I'm just sort of in awe of that.
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I want every version of a woman and a man to be possible. I want women and men to be able to be full-time parents or full-time working people or any combination of the two.
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Building human-centered organizations doesn't imply a return to the paternalistic, corporate welfare practices of the 19th century. Most of us don't want to be nannied.
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The relationship between ARMgold and Harmony continues to develop and grow.
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Thus, the poet's word is beginning to strike forcefully upon the hearts of all men, while absolute men of letters think that they alone live in the real world.
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Speed can't always get you wickets.
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I own a guitar, a piano, a bass.
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I'm into the whole American and New York vibe, not just because that's what's going on around me but because of the fit. A lot of guys are into the European cut, but I can't really pull that off with my body type - I'm tall and have big legs.
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I think my father was somewhat disappointed in not having had a son, and in that way I was the nearest thing he had.
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I love all my scoop children. But consistency and persistence is really my aim.
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The first part of my life, as a player, has ended but now I'm heading into an equally important part as a manager, hoping to do as well as I did on the field.
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I know: I am a freakish geek. Or is that a geekish freak?
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What doesn't feel okay to me, what feels a little bit out of balance, is when you want to turn yourself into something else – when you want to be another person.
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I've always been creating my whole life, you know. I've just had a need to create, whether it was sculpting or writing or directing. It's just ever since I was a kid, I don't know.
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I've done network shows. A director will call me and say, 'Do you want to do this with me?' and I'll say, 'Sure,' but I couldn't do it forever because there's no real expression. That's not how people talk.
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When you go into to vacationing with kids, what people don't get is that there is a portion of it that's going to be unpleasant because you're traveling with children. When people have these expectations that it's going to be perfect or amazing, that has never been my experience.
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I'm not surprised about the lack of women on boardrooms. They were only emancipated 200 years ago, and historically, men have dominated. I welcome women as long as they qualify for the job.
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I don't talk about myself in the third person. When I start doing that, you'll know I'm having an out-of-body experience.
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Politics is so much about serendipity that we've got to have a bigger pool of women, so that when people drop out of the process, you've got others to turn to.
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All of us admire people we don't like and like people we don't admire.
