Malcolm Muggeridge Quotes
The skyscrapers began to rise again, frailly massive, elegantly utilitarian, images in their grace, audacity and inconclusiveness, of the whole character of the people who produces them.
Quotes to Explore
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I'm 43. I'm not ready to sit down in a chair with my name on it yet.
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The Supreme Court is not elected, and it is therefore not a proper arbiter of social policy.
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I love being a woman and I was not one of these women who rose through professional life by wearing men's clothes or looking masculine. I loved wearing bright colors and being who I am.
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The hypothesis may be put forward, to be tested by the s subsequent investigation, that this development has been in large part a matter of the reciprocal interaction of new factual insights and knowledge on the one hand with changes in the theoretical system on the other.
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I see Turkey's future as being in Europe, as one of many prosperous, tolerant, democratic countries.
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'Glee' is one of the very few mainstream outlets that is giving a voice to communities of people that don't necessarily have a loud voice, specifically the gay community. It gives a really positive and forward statement.
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Just to be is a blessing. Just to live is holy.
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The way that I look at it is that, when we film for eight months straight for a new 'Jackass' movie, I know that I'm going to wind up with at least two broken bones. I don't know when it's going to happen, but you can't contemplate how you're going to fall and what's going to happen.
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Choreography and creativity - it's my matrix; let's see where we can move.
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When the whole world is silent, even one voice becomes powerful.
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You need to make a trip to Des Moines in August, because the Iowa State Fair really is a sight to see. The Iowa Fairgrounds are usually packed for those 11 days, and you get a real sense of what a classic Midwest fair is all about.
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The biggest rival I had in my career was me. I couldn't control Arnold Palmer, Gary Player, Tom Watson or Lee Trevino. The only person I could control was me.
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World War II has always been of great interest to me. I've known for decades that it was just one more war the politicians suckered us into.
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Research is formalized curiosity. It is poking and prying with a purpose.
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My characters hope for better lives.
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The same way you can see me sit at a table in a movie and be six different people, the mother and the uncle and all these different things, when I'm in the studio, I can do that, too. I'm not trying to be a recording artist and have a certain type of music for the radio.
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I love the color pink. It makes a bold statement.
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Heaven is long-enduring, and earth continues long. The reason why heaven and earth are able to endure and continue thus long is because they do not live of, or for, themselves.
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All the great artists had their dark sides. Look at Amy Winehouse or anyone who has achieved a certain level of success. Even Adele, and the people that you wouldn't put in the same category as a gangster rapper. These women have exposed their vulnerabilities, demons, and things that have hurt them.
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Why don't we just expand ourselves into our perfect form, our perfect being?
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I fall in love with human beings based on who they are, not based on what they do or what sex they are.
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I started using film as part of live theatre performance - what used to be called performance art - and I became intrigued by film.
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I'd want to collaborate with Eminem, of all people. Maybe even Lauryn Hill.
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The skyscrapers began to rise again, frailly massive, elegantly utilitarian, images in their grace, audacity and inconclusiveness, of the whole character of the people who produces them.
