Malcolm Muggeridge Quotes
Quotes to Explore
-
I'm not a very technical musician at all.
-
I have fun going on Twitter and the Internet. I feel safe and comfortable, and I wish everyone could feel that way.
-
Science is an international enterprise where discoveries in one part of the world are useful in other parts.
-
I view myself primarily as a trial lawyer who happens to be writing, as opposed to a writer who happens to be a trial lawyer, so the audience is like a jury to me.
-
I do not support a North American Union. I disagree fundamentally with that, and I think the United States should be governing itself and not being governed by multilateral unions, the United Nations.
-
Dad was an amazing storyteller and illustrator, which he did in his spare time - very inspiring and dramatic.
-
I was always kind of florid. And full of rhetoric. That was my flaw. My whole time writing, I've had to work against that because it can be a wrecking posture.
-
Layering in different patterns will keep things from appearing too studied.
-
The muse is not an angelic voice that sits on your shoulder and sings sweetly. The muse is the most annoying whine. The muse isn't hard to find, just hard to like - she follows you everywhere, tapping you on the shoulder, demanding that you stop doing whatever else you might be doing and pay attention to her.
-
I think everyone evolves over the years, but I have always had the silhouette that I know suits me. I am never going to wear a frothy, poufy thing that sticks out because I have found a style that works for me, and I stick with it.
-
Where I'm from is like 'Hustle & Flow' versus '8 Mile.' It's that really grimy, box-Chevy, dope-boy, working-class music.
-
So long as you don't feel life's paltry and a miserable business, the rest doesn't matter, happiness or unhappiness.
-
When you're as chaotic as I am, you need a very firm structure in your life.
-
You see I found I didn't have to act to be happy.
-
In truth, I became a conductor because deep down I wanted to conduct Brahms's four symphonies and Richard Strauss's tone poems.
-
The acting came about because of a girl. I was 19 and met a girl who wanted to go to the premiere drama school in Australia, the National Institute of Dramatic Arts, where Mel Gibson, Cate Blanchett and many others went. She had an audition, and I went with her for moral support - to cheer her on. I did an audition my way, and it kept going.
-
I wood-shedded for a year to play Grandma's simple stuff. It's not that simple, and I don't use picks the way she does. But I played them as authentically as I could, with the flat-picking.
-
To assume all the powers is not good for anybody. Power corrupts and absolute power corrupts absolutely. All those experiments have a bad ending.
-
When I was growing up, I wanted to be a house painter like my father, but I was always screwing up when I went to work with him. I had a talent for knocking over paint and painting myself into corners. I also realized fairly quickly that painting bored me.
-
I'm getting a little bored by the juxtaposition of American and other cinema. I no longer think this division is as true as it might have been in the 1980s, or the early part of the 90s.
-
In searching for further training we turned to England and Bernard Leach. We thought since we had responded to his book so strongly that this would be the sort of training that we would like to have. We saved money, during the summer went to Europe, and the first stop was to go to England, visit the Leach Pottery and ask Leach if he would take us on as apprentices.
-
He was not only a bore; he bored for England.
