Beaumont Newhall Quotes
If the historian will be faithful to the photograph, the photograph will be faithful to history.
Quotes to Explore
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I'm not faithful to one particular medium, and it's what I try to teach to people who work with me.
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Even today I work with Niall O'Brien, who is far more technically astute than I am, but I still have the clearest idea of every detail I want in my photograph.
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Mostly, I worked so quickly, I didn't see the details of a photograph until it was printed.
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Translation is like a woman. If it is beautiful, it is not faithful. If it is faithful, it is most certainly not beautiful.
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It's easier to be faithful to a restaurant than it is to a woman.
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I hate having my photograph taken.
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Having Buzz there is a great achievement, he was on the first moon landing alongside Neil Armstrong, so getting his signature on a beautiful panoramic photograph will be an historical item to treasure.
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I photograph what interests me. I'm not saying anything different.
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Every photograph is a battle of form versus content.
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I photograph to see what the world looks like in photographs.
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In the end, maybe the correct language would be how the fact of putting four edges around a collection of information or facts transforms it. A photograph is not what was photographed, it's something else.
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A photograph can look any way.
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I said the photograph isn't what was photographed, it's something else. It's about transformation. And that's what it is.
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There is no special way a photograph should look.
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My intention is to make interesting photographs. That's it, in the end. I don't make it up. Let's say it's a world I never made. That's what was there to deal with.
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If you run into a monkey in some idiot context, automatically you've got a very real problem taking place in the photograph.
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A pun calls the meaning of a word into question, and it upsets us tremendously. We laugh because suddenly we find out we're not going to get killed. I think a lot of things work that way with photographs.
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I know what I like to use myself. I use Leicas, but when I look at the photograph, I don't ask the photograph questions. Mine or anybody else's. The only time I've ever dealt with that kind of thing is when I'm teaching.
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No historian should be trusted implicitly.
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To the vast majority of people a photograph is an image of something within their direct experience: a more-or-less factual reality. It is difficult for them to realize that the photograph can be the source of experience, as well as the reflection of spiritual awareness of the world and of self.
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The whole point of creating music for me is to give voice to things that aren't normally given voice to.
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A picture is like a prayer; you're offering a prayer to get something, and in a sense it's like a gift of God because you have practically no control-at least I don't.
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If the historian will be faithful to the photograph, the photograph will be faithful to history.
