Raza Jaffrey Quotes
Some actors - myself included - like to know where your character's going: you like to know what the arc is for the character so that you can plan where you're going to give beats for this, that, and the other and give the audience what they want. But on 'Homeland,' you do the opposite.
Quotes to Explore
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In Men in Black, it was a very small character, no pun intended.
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There are a lot of actors who will sit here and talk to you about characters - 'He does this, and she's a really interesting character because she does this.' I'm not like that at all. I'm not an actory actor.
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When you choose your friends, don't be short-changed by choosing personality over character.
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Where there is righteousness in the heart, there is beauty in the character. When there is beauty in the character, there is harmony in the home. When there is harmony in the home, there is order in the nation. When there is order in the nation, there is peace in the world.
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When you are doing a long scene, you have dialogue and interaction to narrate the character. But making sense out of facial expression and reacting is difficult. Having said that, I think such challenges are good for learning.
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Character in a saint means the disposition of Jesus Christ persistently manifested.
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If I don't love my character, I can't do it.
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As time went on, I did campaign to lighten the character a little bit, to introduce some romance into the episodes, outside activities, horse riding and fencing and mountaineering.
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What drew me to the character is that Roberto Duran is the son of an American soldier - a Marine - stationed in Panama and a humble Panamanian mother, and he was abandoned.
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I bought the rights to this book, 'The Ploughmen,' by a Montana writer named Kim Zupan, and I've written the screenplay, and I really feel pretty strong about it. It's really hauntingly beautiful. It's got some suspense and great drama, but it's a real character thing.
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I'm proud that Della was sort of a prototype for TV secretaries. There really was no such established character on TV when 'Perry Mason' came along.
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Character is the indelible mark that determines the only true value of all people and all their work.
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I wasn't the biggest Captain America fan, but increasingly, I see him as a great character. Winter Soldier really got into what it meant to actually represent America.
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Science, almost from its beginnings, has been truly international in character. National prejudices disappear completely in the scientist's search for truth.
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'Aladdin' was probably my favorite Disney animation when I was a kid. The animation was great and Robin Williams was unbelievable as the Genie. 'Aladdin' was an amazing adventure and the lead character was a hero for guys, which I loved. It wasn't a princess or a girl beating the odds; it was a street rat. That seemed really cool to me.
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If I love the character, then that's all that matters to me. It doesn't really matter what genre it is.
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It is only by drawing often, drawing everything, drawing incessantly, that one fine day you discover to your surprise that you have rendered something in its true character.
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If there is something magic about the collaborations I have with actors it's because I put the character first.
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There was a scene in 'Qubool Hai' where Asad shoots his father. After shooting for it, I was drained completely. At times, my character's mood gets very depressing. Post shoot, it takes a good half hour to get out of character, to leave Asad behind.
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All sorts of bodily diseases are produced by half-used minds.
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I am a living illustration of Bosnian mixing and converting. My grandparents lived in eastern Herzegovina. Very poor. The Turks came and brought Islam. There were three brothers in the family. One was Orthodox Christian. The other two took Islam to survive.
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I was so tall and so skinny - I was that kid who couldn't find anything to wear. All the cool kids would have jeans the right length and I would just think, 'What am I going to do?'
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I couldn't be more proud of my work as a progressive.
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Some actors - myself included - like to know where your character's going: you like to know what the arc is for the character so that you can plan where you're going to give beats for this, that, and the other and give the audience what they want. But on 'Homeland,' you do the opposite.
