Raf Simons Quotes
Fashion is such an octopus. You're connected to so many people: suppliers, pattern makers, production teams, marketing teams, vendors.
Quotes to Explore
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As one grows older one becomes more critical of oneself and less of other people.
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When you're a producer and an artist you're very critical of yourself. I like to produce other people, but I'm not that good at producing myself.
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The essential relationship across American history between black people and white people is one of exploitation and one of plunder. This is not, you know, necessarily about, you know, whether you're a good person or not or whether you see black people, you know, on the street, and you're willing to shake their hands and be polite.
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I really like performing for people.
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Mindsets, skills and leadership, experience and access, and critical consciousness - we need all four of these things for our students to be the leaders, people and citizens we want them to be.
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Don't spend more than 10% of your marketing/PR budget on a trailer. Trailers have to be marketed, too. So, far too many authors wind up marketing their trailers instead of their books.
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People have told me that they cannot put down 'If I Stay' after reading it, and readers have become very invested in the love story between Adam and Mia.
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The people in your life are important. Meaningful relationships with those people are very important.
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I was very pleased, obviously, to have outsold great writers. But I'm not insane - I do realise that I am a popular writer who people buy to take on vacation.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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I feel like now fashion is just part of how I think about everything. When I send out a mood board to our contributors every month about our monthly theme, there are photos from our fashion shows, but there are also film stills and album art.
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I love people who dress how they feel and change it depending on the day.
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Weight training and working on being explosive helped me gain a few yards of pace. Even when I was small, I was stocky. Even if people pushed me, I managed to stay on my feet.
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People tend not to use this word beauty because it's not intellectual - but there has to be an overlap between beauty and intellect.
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I pick up on other people's discomfort.
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Second, we also got a more authentic liturgy of the people of God, in the vernacular language.
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People talk fundamentals and superlatives and then make some changes of detail.
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It's so inspiring to be around other people who have ideas you haven't thought of, and all of a sudden you're like, 'Wow! That's so amazing!' I definitely want everything I do to just get better and better.
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People newly emerged from obscurity generally launch out into indiscriminate display.
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I have a vision of India: an India free of hunger and fear, an India free of illiteracy and want. I dream of an India that is prosperous, strong and caring. An India, that regains a place of honour in the comity of great nations.
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I went from being totally unknown to getting stopped every time I went out. I always wanted to be successful, but I have never wanted to become a celebrity. I never, ever, craved that.
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The bourgeois woman not only demands her own bread, but she also requests spiritual nourishment and wants to develop her individuality.
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Once a place becomes special, it's no longer special.
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Fashion is such an octopus. You're connected to so many people: suppliers, pattern makers, production teams, marketing teams, vendors.
