Red Auerbach Quotes
Quotes to Explore
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It's been amazing how this crazy career has been created. I feel that it's been given to me. I wouldn't be anywhere without Victoria's Secret.
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I still find it hard to understand that anyone could argue that you can't have machines that exhibit consciousness.
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I was a huge fan of comedy and movies and TV growing up, and I was able to memorize and mimic a lot of things, not realizing that that meant I probably wanted to be an actor. I just really, really amused myself and my friends with memorizing entire George Carlin or Steve Martin albums.
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I used to work for a newspaper that covered local resource issues, and my coworkers and friends were journalists. Their reporting work was always pretty grim.
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Ladies and babies, and mortgages, for that matter, can all wait. Acting has done a strange thing to me, though. I often sit there, thinking, 'I love this, but I wouldn't put my daughter on the stage.'
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Posthumous reputations have little to do with real lives.
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Do we fear terrorism so much that we throw out our Constitution, and are we unwilling and afraid to debate our Constitution?
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Getting to the point where I was ready to write a book has been about a 20-year journey of being, really honestly, too afraid to try - which I think is pretty common for people who are trying to write a large piece of fiction.
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The Louvre for me is a wonderful experience. Because it continues; it didn't get cut off. It was actually a continuous involvement all the way, and a lot of people have come and gone, come and gone; but I'm still here.
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Why does a woman work ten years to change a man's habits and then complain that he's not the man she married?
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I don't think music affects what words I choose to type in what order, within what punctuation, at this point, because I'm rereading and editing each sentence, at this point, in my published books, probably 100-150 times each, on average, and listening to probably 20-60 different songs in that time.
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Never in endless time will ring a sound as sweetly As when a human heart in God is tuned completely.
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The tug-of-war between Scientologists and anti-Scientologists over Hubbard’s legacy has created two swollen archetypes: the most important person who ever lived and the world’s greatest con man. Hubbard was certainly grandiose, but to label him merely a fraud is to ignore the complexity of his character.
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It seems like the record industry made so much crazy money in the 1960s that everyone wanted to get in on it. Now it's just become very corporate. So all of these people who despise music end up being in charge.
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I'm South American, and growing up in New York, I had the total stereotypical way of thinking of what Texas was about. I'm like, Texas. Big. Cows. Cowboys. Cowboy hats and cowboy boots. And barbeque.
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I always said that Wahhabism is unacceptable for the Chechen nation.
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I like to be in New York. Le Corbusier described it in the 1930s as a 'wonderful catastrophe.' It is still a wonderful catastrophe, but inspiring.
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In 'Kill Rock n' Roll,' the choruses came about at the moment I was listening to a lot of the Supremes, and if you listen to that part, you can hear a melody and a harmony there that's not too far away from what the Supremes would probably be doing, but there's heavy guitars in the back.
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I see myself as a composer who plays music and likes to play with other people, and not just as a solo artist.
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I heard an Israeli speaking on Palestinian human rights issues, an interesting guy, and he said 'There's no military solution to terrorism. If there were, Israel would be the safest place in the world. But there's no military solution.'
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I think that 'Station to Station' is a nomadic project not only in a literal sense, as it's traveling by train from place to place. Some of these places are New York City or Los Angeles, but some of these places are rather off-the-grid places.
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First of all, a player has to know what is banned and what is not banned.
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I'm a big yachting fan.
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It's not what you tell your players that counts. It's what they hear.
