Ari Berk Quotes
Quotes to Explore
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I'm not a very big fan of 'Slumdog Millionaire.' I think it's visually brilliant. But I have problems with the story line. I find the storyline unconvincing.
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Every story I create, creates me. I write to create myself.
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I'm at the mercy of whatever character comes into my head.
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As an actor, I'm my own worst critic, but after awhile, really, when you watch 'Moonrise Kingdom', it's such a fantastic film that you sort of get sucked into the story, and then you kind of forget about everything else.
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I've never judged anybody by how they look or how they dress. I basically judge them on their character. And that's how I lead my own life.
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Profitability comes from loyalty, productivity, and having a character base from which to work.
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My director is usually aware of what works for me and what doesn't. For 'Srimanthudu,' I have to give full credit to director Koratala Sivagaru for handling my character the way he did.
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The thing that intrigued me about 'Breaking Bad' from day one was the idea of taking a character and transforming him.
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I try to tell a story musically in a song.
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When my wife passed, I stopped doing interviews and I stopped doing meet-and-greets, mostly because I sort of became this suicide ambassador. Everybody wanted to tell me their story.
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I believe that pop culture is just, like, so ready for 'Watchmen.' We tried so hard to ride that wave between satire and reality, and all the things that make you still care about the character, but you don't miss the commentary about them.
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At the Norman Invasion, the Saxon thanes were themselves humbled in turn; the manors were given a more legal character and transferred to favourites of William the Conqueror.
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A novel requires a certain kind of world-building and also a certain kind of closure, ultimately. Whereas with a short story you have this sense that there are hinges that the reader doesn't see.
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I will not go into a story unprepared. I will do my homework, and that's something I learned at an early age.
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If there is something magic about the collaborations I have with actors it's because I put the character first.
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I got into one of the schools I applied to because of the essay I wrote about Holly Hunter's character in 'Broadcast News.' She's the only female producer on this news network, and she's really good at her job, but she allots time in her day to just sit at her desk and cry. And then she's just back to work. I find that really effective.
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I dubbed for 'Nannaku Prematho' because in that film, I was doing a London-based character, and even if some mistake happens with pronunciation, people would excuse it.
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I think if you're artistic in any way, you're probably born with it. I guess it's a talent that can be learned here and there, but I think the instinct to tell a story or to create something happens maybe in the womb.
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I never personalize anything because I think that can be dangerous. For me, the best way is - this may sound pretentious - but it's to breathe the character and get into the psychology of it.
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My character Jack in the New York Spring Spectacular is a lot of fun. He's playful, he's full of life. He can make things come to life. He can make things happen.
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The supreme blossoming of character lies or reside in renounciation or renuncement and abnegation of self ("abnégation de soi", Fr.)
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Life is too short, and I need to eat. I am my meanest when I haven't had a meal.
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He had become a character in a play, same story, over and over.
