Ariane Mnouchkine Quotes
I hate the word 'production'...it's a ceremony, it's a ritual...you should go out of the theatre stronger and more human than when you went in.
Quotes to Explore
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I'm thinking of doing more theatre. It makes me very happy.
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Sometimes love is stronger than a man's convictions.
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The last time I had to make a career decision, I was 17. I could have gone to Ballet Theatre or National Ballet of Canada. There were options. But as I became exposed to the Robbins repertoire, I realized that there was a living genius in the house.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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I understood, through rehab, things about creating characters. I understood that creating whole people means knowing where we come from, how we can make a mistake and how we overcome things to make ourselves stronger.
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I did a drama degree, went to secretarial college, then got a job with a theatre company in Birmingham. It's been a slow burn, which doesn't seem to have gone out.
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I used to be one of the lead actors of a theatre group called Hetu when I was in medical school. Prithvi Theatre was our stomping ground. I'd got many positive reviews.
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I never thought I would become that person who loves working out. It sucks while you're doing it, but the second you finish, it's like, 'Wow, I feel great! I'm stronger and much more confident.'
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I started in theatre. I went to the Boston Conservatory and majored in musical theater.
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Confession of errors is like a broom which sweeps away the dirt and leaves the surface brighter and clearer. I feel stronger for confession.
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Why do you act? You act for an audience. In the theatre, you're in their presence. Film stars don't know what it is to have an audience.
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I'd like to be for cinema what Shakespeare was for theatre, Marx for politics and Freud for psychology: someone after whom nothing is as it used to be.
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Musical theatre is something that I always wanted to be a part of, and my first ever role on the West End as Joseph in 'Joseph And The Technicolor Dreamcoat' gave me a taste for it.
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I went to Paris for a year in 1986 to study theatre; there was a lot of clowning around, buffoonery and fencing. It was then that my own style kind of blossomed.
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My son Gautham usually doesn't watch my films. But he watched 'Srimanthudu' in the theatre.
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My advice to young actors is probably to do some theatre; definitely do that. I keep running into these actors who have never been on stage, and it's invaluable for an actor. What you will learn about yourself is huge.
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In school, I always sang in choirs. In fact, I used to do a lot of musicals in the youth theatre that I was a member of between the ages of 16 and 18.
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Coming back to theatre is something I'm keen to do for the rest of my life. It recharges my batteries, so to speak.
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Writing for the theatre is so different to writing for anything else. Because what you write is eventually going to be spoken. That's why I think so many really powerful novelists can't write a play - because they don't understand that it's spoken - that it hits the air. They don't get that.
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My work is very popular with performers, and there are theatre people who get what I'm doing and what tradition I'm working in. I'm very grateful to them - they're my people, who understand why I work the way I do.
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I love to read, and I love Martina Cole.
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Modern American cinema seems to me superficial. The intention is to understand a certain reality, and the result is nothing but a photographing of that reality.
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We need to articulate luxury differently. We live in the world of the 'like' culture. As a society, we're consuming so much imagery, it's like gorging on sugar, and the only way to find depth in a 'like' culture is by presenting the unknown.
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I hate the word 'production'...it's a ceremony, it's a ritual...you should go out of the theatre stronger and more human than when you went in.
