Taron Egerton Quotes
In school, I always sang in choirs. In fact, I used to do a lot of musicals in the youth theatre that I was a member of between the ages of 16 and 18.
Quotes to Explore
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While you are improvising, you need to be prepared, and I like to have a sense of who the character is, what she likes to read, where she grew up, where we went to school, and what she has for breakfast, so that when I go to set, I'm free to explore.
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Right when 'High School Musical' was taking off, one of my little cousins called and was really excited to tell me there was a huge 'I Hate Zac Efron' club at her school. I'm sure they're doing great. More power to them.
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We want our students to graduate from high school, but we want them to graduate with a plan, whether it's college or career.
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I played the trumpet for nine years, and then I joined the choir after that, and then I was in musicals in high school.
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The last time I had to make a career decision, I was 17. I could have gone to Ballet Theatre or National Ballet of Canada. There were options. But as I became exposed to the Robbins repertoire, I realized that there was a living genius in the house.
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If I miss coaching that much, I could go to some little school where they didn't recruit, where all the kids wanted to go. I believe I could find somewhere to coach.
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It's always strange being a kid on the set, because you're treated like an equal when you're working. But then when you break, the other actors go back to their trailers to take naps and drink beer, and I have to, like, go do school.
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My mum was no pushy parent. She would drop me off for auditions when I was in my teens at the Lyric Theatre, then give me my bus fare and say she would see me later at home. She wasn't hanging around in the wings geeing me on. I had to do it on my own; it was up to me.
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I gave up school. I gave up a really, really good job. I gave up a lot of stuff. I cut a lot of people out of my life so I could just focus on my fighting dreams.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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We'd be doing parkour on my high school roof; we'd get in trouble. But I was never a reckless kid.
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My mother's side of the family was in the production side of theatre. My grandfather, Jose Vega, was a general manager for Neil Simon shows on Broadway.
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The last time I was pulled over was in 2005. I was going 55 in a 35 mile per hour zone - which I don't understand because you can barely even idle at 35 miles per hour. Anyway, I was ordered to go to traffic school. It was an 8-hour class and really painful.
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It's a scary thing going into the workforce with a $50,000 debt and you've been trained as a classical theatre actor. There's always a depression in the theatre.
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You know when you see those guys and their sideburns are just a little too high? You don't need to have sideburns, but don't have to have them right above the ear. I knew a guy that did that in high school and I was like, 'What are you doing? Just let them down a little.'
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The philosophy of the school room in one generation will be the philosophy of government in the next.
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Teachers need time to engage with colleagues - whether shadowing, mentoring, co-teaching or conferring. They need a voice in school decisions and to be trusted as professionals.
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Under HB 2655, the state is responsible to ensure parents are aware of the purpose and value of assessments and receive notice from their local school districts about their rights and obligations. Educators must engage with parents about the value of assessment and the potential consequences if parents opt out and student participation diminishes.
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One wonders how the literary revisionists and canon cleansers can bear to take the money. Imagine a school of sixteenth century art criticism that spent its time contently jeering at the past for not knowing about perspective.
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There is only one way of surviving all the early heartbreaks in this business. You must have a sense of humor. And I think it also helps if you are a dreamer. I had my dreams all right. And that is something no one can ever take away. They cost nothing, and they can be as real as you like to make them. You own your dreams and they are priceless. I've been a lavatory attendant, a theatre usher, a panhandler, all for real. Now, as an actor, I can be a journalist today and a brain surgeon tomorrow. That's the stuff my dreams are made of.
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We saw for a time that digital currencies were radioactive to banks, but that's not the case anymore.
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We're supposed to do all these things which trouble us deeply because it's so against what we naturally would want to do.
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As an avid hunter and outdoorsman, I am blessed to call the bank of the great Yellowstone River outside Glendive my home.
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In school, I always sang in choirs. In fact, I used to do a lot of musicals in the youth theatre that I was a member of between the ages of 16 and 18.
