Nick Antosca Quotes
I think the reason the stories are briskly paced, when they are, is that I like story. I like stories where things happen and there are surprises and reversals, in addition to vivid characters and a memorable voice. So those are the kinds of stories I try to write. And it turns out that's pretty much the only kind of writing that works for TV. It's a medium that just devours story, demands surprises and reversals. So my sensibility is suited to TV storytelling, at least as we think of it today.
Quotes to Explore
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Wes Anderson deserves an award for sheer persistence of vision.
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All performers get on stage because they need to feel love from an audience. I might appear confident, but those three seconds before I get out there, I'm a mess. But I have to take the risk; otherwise, I'd be miserable and would feel like I wasn't seeing through my personal destiny.
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Celebrities and 'famous' people are just regular folks. I know, it's a shocking and potentially dangerous statement.
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I feel like all the parts are seniors in high school and seventh graders, and I think I kinda skipped that awkward stage by not working those years.
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Dolphins games always have been among the most popular NFL telecasts in England.
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Students often have such a lofty idea of what a poem is, and I want them to realize that their own lives are where the poetry comes from. The most important things are to respect the language; to know the classical rules, even if only to break them; and to be prepared to edit, to revise, to shape.
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America needs to understand Islam, because this is the one religion that erases from its society the race problem. Throughout my travels in the Muslim world, I have met, talked to, even eaten with people who in America would have been considered 'white,' but the 'white' attitude had been removed from their minds by the religion of Islam.
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Sometimes in this game it's as good to be lucky as it is to be good.
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I moved back to Idaho when I was 6 or 7 and then lived in a little town called Twin Falls and then moved to Boise. So quite different from L.A. I'd been to Disneyland a couple of times, and that was the closest I'd been to L.A.
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I directed the men in our barque to approach near the savages, and hold their arms in readiness to do their duty in case they notice any movement of these people against us.
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I've definitely had crazy acting teachers.
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I try to hit all the places Guy Fieri visits in every city I go to. It's, like, something a 60-year-old would do.
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When you make a movie, you do it so piecemeal. You're doing it, not only scene by scene, out of order, but shot by shot, line by line. And there's this idea that the director has the whole thing in his or her head and they're going to somehow weave it all together in the end.
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I think all groups who don't fit in clearly with Western music have to think, 'How can I expand my market? Where else can I perform?'
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I did a film called 'Black Dynamite' that was very, very funny. That seems to be a film that's kind of a cult classic.
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I'm the type of person who doesn't hope, dream or wish for things. I work and work and work.
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I was fascinated by what motivates men and women to fight for what they believe in.
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I feel like when I get the demos - I get a lot of demos - but when I get the right demo, I get very inspired. I produce around it, and it often goes very fast.
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I've been watching cop procedurals my entire life, so when I saw an opportunity to make fun of one, I jumped at it.
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I'm on the third line. I'm a crasher. I know my role. I'm just trying to help. I'm not stupid enough to think I'm great out there.
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Les Miserables is one of my favorite stories.
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If Rushdie turned up at my doorstep looking for help, I might ring somebody who might do more damage to him than he would like. I'd try to phone the Ayatollah Khomeini and tell him exactly where this man is.
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The design of a city is like a strange archeology.
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I think the reason the stories are briskly paced, when they are, is that I like story. I like stories where things happen and there are surprises and reversals, in addition to vivid characters and a memorable voice. So those are the kinds of stories I try to write. And it turns out that's pretty much the only kind of writing that works for TV. It's a medium that just devours story, demands surprises and reversals. So my sensibility is suited to TV storytelling, at least as we think of it today.
