Jackie Chan Quotes
Quotes to Explore
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I remember the first time I went to Italy when I was eighteen, I was in Florence and there were all these eighteen, nineteen, twenty-year-olds gliding past on Vespas with crinkly, long, hair, and I thought I was on the set of a movie. I couldn't believe that this was going on and I hadn't known about it before. I was flabbergasted.
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I made my first movie when I was five.
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I would love to do a period movie. I've always wanted to wear the corset, you know. It's a girl thing!
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Brad Pitt is a dude who just wants to make good movies. He's not afraid to surround himself with the greatest actors, which I always appreciate because I've also seen actors who only want to surround themselves with weak actors because it makes them look better. That ends up making a poorer movie.
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Rapunzel is a bit more relatable than the other princesses, especially because she doesn't even know that she's a princess until the very end of the movie. I like to think of her as the bohemian Disney princess. She's barefoot and living in a tower. She paints and reads... She's a Renaissance woman.
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One minute, it seemed I had more movie offers than I could handle; the next – no one wanted me.
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I would love to do a 'Scream'-type movie.
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The ancestor of every action is a thought.
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For a movie, you have to make sure the lyrics are consistent with the rhythm that is given to you. But, at times, during the song's recording, you find out that your words are not appropriate for the track, and so you have to change them.
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I've never done a superhero movie. It's very nice to you as an actor in several worlds to go and to experiment.
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There is a lot of Indian connect in 'Million Dollar Arm'. It is about two Indian boys, and we even shot quite a bit of the movie in India.
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That's the joy of making a movie: watching all the elements come together.
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I fell in love with the whole process of making a movie. I loved the sets. I loved watching the actors and the crew.
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Every battalion has its marching songs.
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I like to let the story flesh itself out, and usually, the characters make their own decisions as things get under way. Dialogue especially seems to write itself once I'm familiar with the characters and their backgrounds.
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For my wrap present, Colin Farrell gave me a first edition book. I got so involved with this character and I was so sad when the movie was over that when I got home and I tried to read the book I got really emotional and I started crying.
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Every single day I'm shocked.
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There have been moments where I'm like, 'I don't know how I'm going to survive and pay next month's rent.' And the next month I'm filming a movie in New York City.
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I've had tragedy in my life, and it doesn't stop comedy, so I think it's important to do both. Particularly in a superhero movie, but in any movie that accesses all people. Nobody wants to be abused for two hours.
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Quite often, I'll be sent a script for a movie. And I find that I like it, so I say I'll do it. But then they rewrite it for me. They make it quirky. Odd. I find that rather annoying. I call it Walkenising.
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I hate to say it's not a Laker but Michael Jordan. He's been the greatest player I've ever seen. And I'm probably a harsh judge of talent in the sense that I admire players that are really good defensive players and really good offensive players.
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The further the soul advances, the greater are the adversaries against which it must contend.
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Before 9/11 there were weak procedures, willingness, and mechanisms for communicating among agencies for foreign intelligence and the FBI with its focus on law enforcement. The domestic-vs.-foreign barrier has been solved by the reforms after 9/11 that established the DNI.
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In every movie I do have a dialogue.
