Flannery O'Connor Quotes
It seems that the fiction writer has a revolting attachment to the poor, for even when he writes about the rich, he is more concerned with what they lack than with what they have.
Quotes to Explore
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I probably remember the 1954 Masters more vividly than any of the others.
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What other grown-up gets told how to do their job so often as a writer?
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I think the older I get the more creative I get, I don't have the distractions that I had when I was younger.
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I don't suppose anybody's ever enjoyed being who they are more than Arnold's enjoyed being Arnold Palmer.
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I am not an autobiographical writer.
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I'm more interested in producing than acting.
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To make oneself hated is more difficult than to make oneself loved.
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The more questions and answers we get, the more useful Quora is.
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The more I read about feeding times, sleep times and waking-up times, the more inadequate and miserable I felt.
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There's nothing more fun than making fun of what's sacred.
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I've basically worked as a journalist and a writer.
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Be more dedicated to making solid achievements than in running after swift but synthetic happiness.
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Doing leads more surely to talking than talking to doing.
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I always knew I wanted to be a writer. I just wasn't sure what I wanted to do as a money-making job.
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I don't know which is more discouraging, literature or chickens.
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My mother was extremely controlled, sort of flawless. And I always tend to be a bit more hippie.
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I got very addicted to performing. I just want to do that more.
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What can be indissoluble if a perpetual Union, made more perfect, is not?
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You campaigned against rich people and you got enough envy whipped up in the country and you're gonna get 'em. You're gonna stick it to those rich people. But guess what? You may not get anymore revenue. You may not get anymore economic growth. But you can say, 'I stuck it to the rich people.'
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Until I feel strong enough to pray sincerely and to act accordingly, I would rather not pray at all.
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I worked with Stanley Kubrick for almost a year back in 1990, trying to develop the screen story for his project 'Artificial Intelligence,' which is about a robot boy who wishes to become a real boy, a future scientific fairy tale inspired in the myth of Pinocchio.
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In married life three is company and two none.
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It seems that the fiction writer has a revolting attachment to the poor, for even when he writes about the rich, he is more concerned with what they lack than with what they have.
