Flannery O'Connor Quotes
In the greatest fiction, the writer's moral sense coincides with his dramatic sense, and I see no way for it to do this unless his moral judgement is part of the very act of seeing, and he is free to use it. I have heard it said that belief in Christian dogma is a hindrance to the writer, but I myself have found nothing further from the truth. Actually, it frees the storyteller to observe. It is not a set of rules which fixes what he sees in the world. It affects his writing primarily by guaranteeing his respect for mystery.
Quotes to Explore
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It is so hard to make important decisions that we have a great urge to reduce them to rules.
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When I was around eight, I learned how to touch-type at school, and I received a computer as a present. I started writing plays, and for many years I thought I would be a playwright.
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I guess I went into journalism to save the world. I always felt through writing that I wanted to rotate the world slightly.
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The books that help you most are those which make you think that most. The hardest way of learning is that of easy reading; but a great book that comes from a great thinker is a ship of thought, deep freighted with truth and beauty.
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Global governance cannot be limited to the crafting of instruments related to the promotion of democracy. A key component must be the creation of fair and equitable rules to enhance the development prospects of developing countries.
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In Gnosticism, the physical world did not ultimately matter - which meant physical suffering did not matter either. Seeking 'enlightenment' meant cultivating an attitude of detachment, even indifference.
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If people would dare to speak to one another unreservedly, there would be a good deal less sorrow in the world a hundred years hence.
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Science makes no pretension to eternal truth or absolute truth.
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The Constitution remains brilliant in its overall design and sound with respect to the Bill of Rights and the separation of powers. But there are numerous archaic provisions that inhibit constructive change and adaptation. These constitutional bits affect the daily life of the republic and every citizen in it.
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There really isn't a story that you can't tell inside of it. It's very much a clearinghouse for anything that goes on in the world. So you're not at all limited.
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I have yet to see a piece of writing, political or non-political, that doesn't have a slant. All writing slants the way a writer leans, and no man is born perpendicular, although many men are born upright.
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I was always more interested in my books and my writing than going out. It's OK to say I'm a nerd. That's me.
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Strauss' water activities, which highlight both its social responsibility and commitment to the environment, meet a genuine need of people around the world today.
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I have rules for everything.
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You only can rest when have the truth, even when it's horrible.
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I want simply to learn about the world and live freely.
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If it is indeed impossible - or at least very difficult - to inhabit the consciousness of an animal, then in writing about animals there is a temptation to project upon them feelings and thoughts that may belong only to our own human mind and heart.
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Variety improves the things that we do too often, but it rules the things that we don't do often enough.
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For the last 15 years that I have been performing, all I ever wanted to do was transcend poetry to the world. See, it wasn't enough for me to write a book. It wasn't enough for me to join a slam competition, and while those things hold weight, it wasn't the driving force that pushes the pen to the pad.
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We need to change because the world is changing, and we need to anticipate what is next and be there first, as the US military has always been. So, the changes in our future, I think is something that we are all completely committed to.
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It's not the extremes and the treats that are the problem. It's the everyday.
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I never skimp on TV. I watch an embarrassing amount of TV shows. I don't even know how I do it.
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Love, in the Christian sense, does not mean an emotion. It is a state not of the feelings but of the will; that state of the will which we have naturally about ourselves, and must learn to have about other people.
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In the greatest fiction, the writer's moral sense coincides with his dramatic sense, and I see no way for it to do this unless his moral judgement is part of the very act of seeing, and he is free to use it. I have heard it said that belief in Christian dogma is a hindrance to the writer, but I myself have found nothing further from the truth. Actually, it frees the storyteller to observe. It is not a set of rules which fixes what he sees in the world. It affects his writing primarily by guaranteeing his respect for mystery.
