Flannery O'Connor Quotes
There may never be anything new to say, but there is always a new way to say it, and since, in art, the way of saying a thing becomes a part of what is said, every work of art is unique and requires fresh attention.
Quotes to Explore
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I'd really love to work with Quentin Tarantino. There's so many people that I'd love to work with, but there's something about Quentin, and one of my all-time favorite films is 'Kill Bill.' Something along those lines would be such a blast.
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Since I was a child, I have had this feeling that the most important work I'd do would be with my family.
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Sofia Coppola is wonderful, and I'd love to work with her.
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It became clear to me in an instant that living a gay life without publicly acknowledging it is simply not enough to make any significant contribution to the immense work that lies ahead on the road to complete equality.
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People always say I'm a legend, but I'm not. Not until I've defended my Olympic titles. That's when I've decided I'll be a legend.
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Art is always criticized and always an outsider gets the blame.
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I've always been a huge reggae fan.
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There are places where writing is acting and acting is writing. I'm not so interested in the divisions. I'm interested in the way things cross over.
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Contemporary art will help me to modernise our society.
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To be a great artist, you need to know yourself as best as you possibly can. I live my life and delve into my own psyche. It's more about exploring how I feel rather than making pale imitations of something that came before. We are unique beings, and the way we look at things is our own.
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I was a star in Italy, Austrailia, Germany and Japan before the American stations ever paid attention at all.
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I love working with the Farrelly brothers. I'm a big fan and feel very lucky to have gotten to work with them a few times. One thing that I learned while working with them is that you have to keep your cell phone off when filming scenes, or you owe them a lot of money!
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Some painters transform the sun into a yellow spot, others transform a yellow spot into the sun.
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I always had a feeling when I was a kid that I didn't really know what was going on. Everybody else knew stuff that I didn't know.
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I always work with a goal - and the goal is to improve as a player and a person. That, finally, is the most important thing of all.
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Natural resources must be so distributed, by way of auction or otherwise, that they serve a larger public purpose.
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I'm not sure how to describe my style. A lot of my work is dark and looks a bit sad, which is strange because I'm such a smiley, over-the-top positive guy who wears gold shoes most days.
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Right now I am trying to be in a place of calm, a place where I can chill out and then handle the chaos of life better. You don't just get it overnight; you have to work at it. It's a daily struggle.
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Nigel might have an earlier date, but I think it's unprecedented from my memory. So it is a reminder to everybody that the public can move very rapidly on some issues and therefore what looks settled may not be.
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We don't have a revenue problem in Annapolis. We have a spending problem we need to control.
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What probably confuses people is they know a lot about me, but it quite pleases me that there's more they don't know.
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There's a thing I really mind hearing, when someone says: "That's not my kind of film, I don't want to go and see that..." I don't believe that, I don't believe that it's possible to write off a whole genre of filmmaking - "oh I don't like subtitled films", or "I don't like black and white films", or I don't like films made before or after, a certain date" - I don't believe that.
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Revising a screenplay is much more frustrating than revising a song because you have to read through the entire work again while you are changing stuff. It is a lot easier to edit a song.
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There may never be anything new to say, but there is always a new way to say it, and since, in art, the way of saying a thing becomes a part of what is said, every work of art is unique and requires fresh attention.
