Flannery O'Connor Quotes
It is popular to believe that in order to see clearly one must believe nothing. This may work well enough if you are observing cells under a microscope. It will not work if you are writing fiction. For the fiction writer, to believe nothing is to see nothing.
Quotes to Explore
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I was certainly a better actor after my five years in Hollywood. I had learned to be natural - never to exaggerate. I found I could act on the stage in just the same way as I had acted in a studio: using my ordinary voice, eliminating gestures, keeping everything extremely simple.
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Whatever our creed, we stand with admiration before the sublime character of Jesus.
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My short stories have always pushed twenty pages. That's no length for a short story to be. You either do them short like Carver or you stop trying.
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I'm not very good in crowds, so I usually try to become as small as possible.
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Growing up as a kid my father was British and a soccer player. His idol was a guy that passed the ball a lot, Stanley Matthews. Our family thought if you could be unselfish your teammates would always like you.
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I was this kid who had been raised in New York, and now all of a sudden, my mother decided that she was a Jewish divorcee and therefore she should be living in Miami Beach.
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Service to others seems the only intelligent choice for the use of wealth.
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The 1950s would be my ideal decade because I'm actually very traditional; I enjoy being at home, and I'm a complete nester.
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As a musician myself, it annoys the hell out of me to watch an actor trying to play a guitar out of time with the music.
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If you keep saying things are going to be bad, you have a good chance of being a prophet.
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We are more casual about qualifying the people we allow to act as advocates in the courtroom than we are about licensing electricians.
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Whenever I walk out on a stage, I'm begging for affection.
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I love the ubiquitous idly-dosa combination. In fact, that was my pet name as a kid! In school, I would bug the canteen boys to get me my daily quota of idly!
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The utilization of flat roofs as 'grounds' offers us a means of re-acclimatizing nature amidst the stony deserts of our great towns; for the plots from which she has been evicted to make room for buildings can be given back to her up aloft.
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Talking to other people who make low-budget movies, everyone kind of has the same struggle.
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I find the whole disdain for ageing crazy.
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There are no lines in nature, only areas of colour, one against another.
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If you are socially isolated, you are more vulnerable to stereotypes and myths; you won't have the opportunity to have conversations with someone who has a different social background than you.
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I obtained eight years of elementary education in a two-room school, where I encountered a stern but engaging teacher who awakened my intellect with instruction that would seem rigorous today in many colleges. History figured large in the curriculum, exciting for me what was to become an enduring interest.
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The Jews who already have been ousted were put out because they were morally and politically unfit to safeguard German interests.
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As a young boy growing up in Rohtak, India, I had no idea what my life's work would be. But my parents instilled in me something that I have never forgotten: that work must have a sense of purpose beyond mere financial gain; that to be meaningful, work should make a positive and lasting difference in the lives of others.
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I'm not happy on vacation. In those rare times when I have three hours with no work I have to do, I'm terribly uncomfortable.
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I knew I was a good singer - I've been singing my whole life, so I was comfortable enough with that - I felt like I could compensate with not being great on guitar.
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It is popular to believe that in order to see clearly one must believe nothing. This may work well enough if you are observing cells under a microscope. It will not work if you are writing fiction. For the fiction writer, to believe nothing is to see nothing.
