Flannery O'Connor Quotes
It is popular to believe that in order to see clearly one must believe nothing. This may work well enough if you are observing cells under a microscope. It will not work if you are writing fiction. For the fiction writer, to believe nothing is to see nothing.
Quotes to Explore
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I was certainly a better actor after my five years in Hollywood. I had learned to be natural - never to exaggerate. I found I could act on the stage in just the same way as I had acted in a studio: using my ordinary voice, eliminating gestures, keeping everything extremely simple.
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Whatever our creed, we stand with admiration before the sublime character of Jesus.
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My short stories have always pushed twenty pages. That's no length for a short story to be. You either do them short like Carver or you stop trying.
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I'm not very good in crowds, so I usually try to become as small as possible.
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Growing up as a kid my father was British and a soccer player. His idol was a guy that passed the ball a lot, Stanley Matthews. Our family thought if you could be unselfish your teammates would always like you.
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I was this kid who had been raised in New York, and now all of a sudden, my mother decided that she was a Jewish divorcee and therefore she should be living in Miami Beach.
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Service to others seems the only intelligent choice for the use of wealth.
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The 1950s would be my ideal decade because I'm actually very traditional; I enjoy being at home, and I'm a complete nester.
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As a musician myself, it annoys the hell out of me to watch an actor trying to play a guitar out of time with the music.
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If you keep saying things are going to be bad, you have a good chance of being a prophet.
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We are more casual about qualifying the people we allow to act as advocates in the courtroom than we are about licensing electricians.
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Whenever I walk out on a stage, I'm begging for affection.
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I love the ubiquitous idly-dosa combination. In fact, that was my pet name as a kid! In school, I would bug the canteen boys to get me my daily quota of idly!
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The utilization of flat roofs as 'grounds' offers us a means of re-acclimatizing nature amidst the stony deserts of our great towns; for the plots from which she has been evicted to make room for buildings can be given back to her up aloft.
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Talking to other people who make low-budget movies, everyone kind of has the same struggle.
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The Wreckoning is a darker song. But the record is positive.
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I find the whole disdain for ageing crazy.
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There are no lines in nature, only areas of colour, one against another.
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The world of Debussy is a seductive oasis, and it is hard to leave it after spending many days immersed in its atmosphere. Playing Debussy-or any other composer with a strong and idiosyncratic personality-affects not only one's cast of mind but the physical disposition as well, the way the muscles work and the fingers come into contact with the ivories.
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I'm not upset that you lied to me, I'm upset that from now on I can't believe you.
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Guys like Clyde McPhatter used to sing their tail ends off!
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Posts of honor are evermore posts of danger and of care.
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It is popular to believe that in order to see clearly one must believe nothing. This may work well enough if you are observing cells under a microscope. It will not work if you are writing fiction. For the fiction writer, to believe nothing is to see nothing.
