Flannery O'Connor Quotes
...I have to write to discover what I am doing. Like the old lady, I don't know so well what I think until I see what I say; then I have to say it again.
Quotes to Explore
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The presence and the present of America are a future; our continent is, by its nature, the land which does not exist on its own, but as something which is created and invented.
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Because I had a lot of emotional upheaval in my life, I'm attracted to stories about characters whose lives are full of wounds and secrets. I'm not interested in who's going to ask me to the prom. I never went to a prom.
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He that fails in his endeavors after wealth or power will not long retain either honesty or courage.
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The only reason I would stay away from a period piece is because sometimes the women are painted in a very stereotypical weakling, wallflower way - that's something I don't want to do. I want to show strength in the women I play, and a journey of some sort.
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I love heavy music. I keep Flume nice and melodic, so I save the angry, testosterone-fueled heavy stuff for What So Not. I think it's a good defining thing for the two projects.
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We have a relationship with Syria, an old relationship. We also have good relations with the people of Syria, with all segments of the population. This is the situation as well in Iraq and other countries.
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One thing that we decided very early in the relationship is that when he goes, we all go - the whole family.
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'The Lunchbox' is the kind of cinema that is true to its word and not cluttered or corrupted by some of the mainstream pre-requisites. I love the way I make movies, but there are certain stories that need to be told in a certain way, and 'The Lunchbox' is that movie, and I'm so proud to present this movie.
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People say that about me, that I apparently buy houses near every boy I like - that's a thing that I apparently do. If I like you I will apparently buy up the real-estate market just to freak you out so you leave me.
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Democracy is our commitment. It is our great legacy, a legacy we simply cannot compromise. Democracy is in our DNA.
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In America, the stories we tell ourselves and we tell each other in fiction have to do with individualism. Every person here is the center of his or her own story. And our job as people and as characters is to find our own motivations and desires, to overcome conflicts and obstacles toward defining ourselves so that we grow and change.
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When I see a movie with someone it's kind of uncomfortable.
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The very first thing I ever did, I was doing some work for the French Cultural Center. They wanted a little recording set up. And I got wire. A wire recorder. The wire came off spools, and to cut and edit, you tied it together in little square knots. Can you imagine?
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Global issues require common responses: Only together we can create the conditions to defeat Daesh and al Qaeda, block channels for terrorist financing, tackle foreign terrorist fighters.
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The thing I find really scary about ghosts and demons is that you don't really know what they are or where they are. They're not very well understood. You don't know what they want from you. So it's the kind of thing you don't even know how to defend yourself against. Anything that's unknown and mysterious is very scary.
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'Entity' is not about science. The process behind it may dictate the nature of the piece, but it's not like a dance about Einstein where I'm trying to convert his ideas into movement and communicate that to an audience.
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My parents encouraged us to commit to things, so if we wanted to learn an instrument, it was all the grades and all the theory.
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You live these three months in this reality, in this dark reality. You don't want to do those films every year because they're taxing. I started smoking a lot of cigarettes.
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Every experiment, by multitudes or by individuals, that has a sensual and selfish aim, will fail.
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I want to be as though new-born, knowing nothing, absolutely nothing. Then I want to do something modest; to work out by myself a tiny, formal motive, one that my pencil will be able to hold without technique.
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I've always liked the classic "young adult" writers like Mark Twain, Jack London, Roald Dahl, Charles Dickens. They write so clearly, and they know how to entertain.
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The dragons I would write about would not be the rather generalized, big, green things that I had read about in storybooks. What I wanted to create was a multiplicity of different dragon species, of all shapes and sizes, adapted to their environment and habitats in the same way as birds or other animals we see today.
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...I have to write to discover what I am doing. Like the old lady, I don't know so well what I think until I see what I say; then I have to say it again.
