Rex Harrison Quotes
Quotes to Explore
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Character is what was yesterday and will be tomorrow.
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It's not enough to train today's workforce. We also have to prepare tomorrow's workforce by guaranteeing every child access to a world-class education.
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If we pulled out of Iraq tomorrow, Islamic jihadism is on the rise. And they continue, as we see in Lebanon, to seek to destroy the State of Israel and seek to drive America back and bring us to our knees. We must stand tall and straight.
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We show our faces to demand that politicians making promises stick to those promises. We show our faces to ensure that the youth of today will flourish tomorrow.
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You could be worth $2 billion today and a half a billion tomorrow. It doesn't take much for this to disappear overnight.
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There is no such thing as pure pleasure; some anxiety always goes with it.
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Today is the tomorrow I worried about yesterday.
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We humans lack imagination, to the point of not even knowing what tomorrow's important things will look like.
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Vigilant and effective antitrust enforcement today is preferable to the heavy hand of government regulation of the Internet tomorrow.
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Painting is a source of endless pleasure, but also of great anguish.
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My pleasure was to copy, not to create.
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My parents always taught me never to take anything for granted because it can be taken away from you like that, especially when it comes to looks. I could get into a car crash tomorrow and disfigure my face. So I have to stay grounded.
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This object that we hold in our hands, a book... that tactile pleasure, it's just not going to go away.
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What we do tomorrow is more important than what we did yesterday.
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My guilty pleasure is Flamin' Hot Cheetos.
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Movies are written in sand: applauded today, forgotten tomorrow.
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If you had told me I'd be making 62 tomorrow, I'd say you were lying.
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Who knows what happens tomorrow? We'll find it tomorrow.
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The promises of God for tomorrow are the anchor for believers today.
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For pleasure has no relish unless we share it.
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Woman is a delightful instrument of pleasure, but it is necessary to know its trembling strings, to study the position of them, the timid keyboard, the fingering so changeful and capricious which befits it.
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I see my subject as an orchestration of shapes, patterns, shade, cast shadows, tonal groupings and aerial perspective.
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In another time I guess I would have been content with filming girls and cats. But you don’t choose your time.
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Tomorrow is a thief of pleasure.
