Joe Perry (Anthony Joseph Perry) Quotes
Quotes to Explore
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I remember when I was growing up. My great wish was to understand who I was and how I fit in the world.
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Can I say that I think it should be against the law for one state to use taxpayer money to try to bribe businesses in another state to move? Which then causes the target state to use taxpayer dollars to try to bribe the businesses to stay.
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I think that the training of architects allows you to see what will happen ten years ahead of time, or twenty. It's not guessing, it's not intuitive, it's based on research - and we may be wrong.
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Some players are more physical than others, some play with more finesse. Some are just really great all-around players. So you have to change your game.
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To insult someone we call him 'bestial. For deliberate cruelty and nature, 'human' might be the greater insult.
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I grew up on the edge of a national park in Canada - timberwolves, creeks, snow drifts.
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More and more, we're used to taking things in through the eyes rather than through the ears, and opera is more of a spectacle.
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I don't understand why there aren't more powerful female directors. I don't have the answers, but I hope that things may start to shift and that studios will employ more women to handle strong and interesting material.
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Good work is good work wherever it's done, in a play, a motion picture or television, and that includes commercials.
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Everyone needs help when they try something new.
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Our culture is at its best when we protect and encourage the weakest. Every life - at every stage, in every place - has a dignity beyond our imagining.
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It's kind of fun to do the impossible.
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There's so much bullying with young people and them feeling like they can't come out, and they don't know what to do. And it's something that you have to work through. And, you know, for me, it was - I came out, and then I went back in for a minute. And then I came out, and I was like, 'You know what? This is who I am.'
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The thing is, the Tulsa experience that I wrote about in 'The Outsiders' is closer to the universal experience than it would be if I wrote it from L.A. or New York. It's an everyman story.
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There is no bigger aphrodisiac than power.
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I will venture to maintain that where the teacher is not pleasing to the pupil, there is no education.
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I came down successfully through Picasso and Braque, down through Pollock, I guess, but I began to stop at Franz Kline and the Abstractionists. I like their design, brilliant design, marvelous color layers. But I don't find any human content there. I'm from an old school, and painting has to have human content for me.
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I was a theater major at Northwestern University and won a role in a play called 'Mr. Marmalade' after I graduated.
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I think it actually started in my late thirties. I started changing psychologically, and it was difficult to translate that into my writing.
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A lot of comedians do bits where they say, 'I was listening to this song, and this person said this, and you know how they say that?' And I thought it would work better if I actually had a DJ put that song lyric right there. It makes it more dynamic, and it's more energetic.
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In the early 1970s, I headed to graduate school at the University of Utah and joined the pioneering program in computer graphics because I realized that's where I could combine my interests in art and computer science.
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I'm nice, and I show up on time.
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The reader need not be told that John Bull never leaves home without encumbering himself with the greatest possible load of luggage. Our companions were no exception to the rule.
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I really didn't like 'Done With Mirrors.' I really didn't like 'Just Push Play.' Then there are other records I really think were good for their time, like 'Toys and Rocks.'
