Joe Perry Quotes
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AC/DC is a prime example of taking that blues rock thing and just living in that world. They only really move the furniture around a little on each album, but it still works.
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People spend their careers trying to figure out what makes a hit single. But I learned a long time ago that you can't anticipate what people want, because it's always going to change.
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You don't throw clothes away, because you know it's going to come back in fashion!
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The bottom line is fans just want to hear a good song. Some people will look underneath to see who wrote it, but they just want to hear a good song. And if they don't hear it, they're not going to buy it just because you wrote it.
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I have seen more bad songs make it because of MTV than good ones that haven't.
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I know that some of the great painters and some of the great artists didn't even start to 'peak', as you say, till they were in their fifties and sixties. And God knows, history is full of artistic people that weren't even recognized till they were dead and gone.
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I guess we all have a bad night now and then and really screw up. I listened to our earlier stuff and we screwed up a lot. But at least now that we are sober, when we screw up it's for real.
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The great British blues guitarists of the Sixties - people like Eric Clapton, Jeff Beck, Jimmy Page and Peter Green - could play like virtuosos, but they also understood the importance of energy and intensity.
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I love to listen to the music that first inspired me - I get that fresh feeling back.
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The Beatles did everything long before anyone else. They weren't afraid to try things and to experiment with a lot of sounds. In 200 years, when you look up 'rock and roll' in the dictionary, it'll have a picture of the Beatles next to it.
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Over the years, when you're in a band with a catalog like Aerosmith's, you accumulate a lot of instruments to duplicate those songs.
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There are definitely things about 'Legendary Child' that echo the music we did earlier in our career. It's got the right stuff.
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It's easy to put on a Deep Purple record and say, 'That sounds great.' But why? Part of it is individual practice, but by playing together, a talent of meshing happens.
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My chosen instrument is guitar and, fortunately, I'm able to muddle through that. I can play guitar to the point where I can express myself artistically.
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When I plug in my guitar and play it really loud, loud enough to deafen most people, that's my shot of adrenaline, and there's nothing like it. That's what it's always been for me - to be the flame the tribe dances around.
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When I got sober and started working out, I fell into that trap of working out too much. I know a lot of guys can relate to that - if you don't get that runner's high every day, you feel like, 'Oh my God, I'm losing it.'
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You think it's all written, but it's not. There's always another way to twist those three chords around.
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You can always pound out demos and send them to record companies, but most of the successful bands I've seen are the ones that can sustain themselves.
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Berry's On Top is probably my favorite record of all time; it defines rock and roll. A lot of people have done Chuck Berry songs, but to get that feel is really hard. It's the rock and roll thing-the push-pull and the rhythm of it.
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A lot of people don't listen to the albums. They just listen to the singles.
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I'm a Republican, but I'm a Republican from the old school. I was taught that you get what you put into it. You can be anything you want to be if you work hard enough at it, and you can earn your place. That's the old way.
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I think that's really important, that kids get exposed to music as soon as they can - not necessarily to become musicians, but at least have an outlet. It's an art form that's easily accessible to young ears.
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I've always felt you are only as good as your next album or next show. What you've done is done. When you get a gold record, you hang it on the wall, and then it's like, 'Yeah, next?'
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There was a time I thought I couldn't enjoy rock 'n' roll unless I had heroin in me.