Edmund White Quotes
There are a lot of historical novelists who do the research about the clothes and maybe even the eating utensils, but they're basically taking modern people and putting them in old drag - it's sort of the 'Gone With the Wind' approach.
Quotes to Explore
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I don't keep people around me that aren't family. You don't get to stay. Unless you're eating at the table with us, you're not part. We eat together, we cry together, we live together, we die together. Everything that we do is for each other, and we care for another.
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I'm so intrigued by women throughout history where the significance of what they were representing at that time is obscured by the fact a man saved them or they were prostitutes.
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Your best ideas, those eureka moments that turn the world upside down, seldom come when you're juggling emails, rushing to meet the 5 P.M. deadline or straining to make your voice heard in a high-stress meeting. They come when you're walking the dog, soaking in the bath or swinging in a hammock.
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Few men desire liberty; most men wish only for a just master.
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In some ways, with the security challenges this country has faced, we have had to put in rules and regulations for business to be able to sustain their growth and create jobs.
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The only thing that permits human beings to collaborate with one another in a truly open-ended way is their willingness to have their beliefs modified by new facts. Only openness to evidence and argument will secure a common world for us.
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I hate ugliness. You know I'm allergic to ugliness.
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In those days, even as a boy, I watched some people that I knew were living way beyond their means.
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America is not the center of the universe.
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I fell in love with New York at some indeterminate point in my early years.
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I am only 33, I've got a lot to do. This is the first half of my career. I'm looking forward to the future and I'm proud about the past.
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By the time I got to Bournemouth Art College, I'd been so inspired by Sam Raimi and Robert Rodriguez and their tiny, no-budget films that I decided to do a feature-length version of 'Fistful Of Fingers.'
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Killers can seem smart when you can't figure out who they are.
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As long as I love Beauty I am young.
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The actors that I admire are able to step into so many different roles.
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I never read reviews - I never have. I've never read message boards, either. I'm just not interested in it in any way - I'm not interested in it inflating my ego, and I'm not interested in it improving my self-worth. So, I don't read them.
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Making the 'An Idiot Abroad' series, I was really dreading going to India; I thought I'd hate it. It was a nightmare, and I was really ill - just like everyone says.
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You have to think hard with a tattoo. 'What will I love for the rest of my life?'
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If I grew up in 'da hood,' it would make my story so much more interesting - if I had something to escape from. I had a pretty good life. My parents weren't rich; they weren't poor. I wasn't trying to escape from anything. It was always just the pursuit of something cooler.
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I don't think I'd be a very good parent. I'd be too honest.
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I was very disruptive. I was horrible. I didn't learn like all the other kids. I had to sometimes take my tests out in the hallways because I couldn't focus. But, my teachers would come see me in the plays and were like 'I don't understand how you can focus and be in the moment in a play and you go into math class and you can't focus.'
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Photography for me is not looking, it's feeling. If you can't feel what you're looking at, then you're never going to get others to feel anything when they look at your pictures.
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Some people talk about children wanting to be born as though somewhere out there in the collective unconscious there's a spirit, or a thought or an idea that wants to be born. And I sometimes feel that way about stories... that they're there and they want to be told.
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There are a lot of historical novelists who do the research about the clothes and maybe even the eating utensils, but they're basically taking modern people and putting them in old drag - it's sort of the 'Gone With the Wind' approach.
