Reed Morano Quotes
My advice for other female directors: don't think of your gender as a handicap. Don't think about it at all. Just tell the best story you can, and don't stop until you do.
Quotes to Explore
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If it's free, it's advice; if you pay for it, it's counseling; if you can use either one, it's a miracle.
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When I watch cop shows, I really enjoy them because you can really follow the story and get involved, and the characters are always really interesting.
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Every story I create, creates me. I write to create myself.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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I don't have a mentor in the strict definition. I take as much advice and inspiration as I can from the people I am close to.
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I was also the romantic lead in The Boston Strangler - I was the only one that lived to tell the story - so I called myself the romantic lead.
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The reader is going to imprint on the characters he sees first. He is going to expect to see these people often, to have them figure largely into the story, possibly to care about them. Usually, this will be the protagonist.
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It is not unprofessional to give free legal advice, but advertising that the first visit will be free is a bit like a fox telling chickens he will not bite them until they cross the threshold of the hen house.
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Getting older doesn't bother me. When I was 30, I thought I should have achieved more, but you get more comfortable and think it's time to stop putting pressure on yourself.
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I've worked with some actors who have such thick skins and think they are so extraordinary. I'll think, 'Have you stopped learning?' They stop listening to directors or other actors and do the same thing again and again.
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Liberals need to take the advice they routinely give to conservatives: that there are consequences to their divisive rhetoric, and that in their attempts to score political points, they are also inciting violence.
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I put a lot of pressure on myself. I think something's not good enough, and I won't stop until I feel like I've made it. I'm never satisfied.
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The best advice I got as a writer was also the first advice, which came from the late fantasy author and editor Karl Edward Wagner: Any agent who charges to look at your work is a crook.
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If someone believes they are limited by their gender, race or background, they will become more limited.
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When my wife passed, I stopped doing interviews and I stopped doing meet-and-greets, mostly because I sort of became this suicide ambassador. Everybody wanted to tell me their story.
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Take off your bedroom slippers. Put on your marching shoes,' he said, his voice rising as applause and cheers mounted. 'Shake it off. Stop complainin'. Stop grumblin'. Stop cryin'. We are going to press on. We have work to do.
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In Miss Catherine Middleton we have the faintest, intoxicating glimmer of a New Age Cinderella story.
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We do long-form-style improv. Our focus was characters and telling a long arc story over about an hour and a half. It was closer to a one-act play than one-off sketches.
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I think if you're artistic in any way, you're probably born with it. I guess it's a talent that can be learned here and there, but I think the instinct to tell a story or to create something happens maybe in the womb.
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With every year of playing, you want to relax one more muscle. Why? Because the more tense you are, the less you can hear.
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Pleasant, liquors of the mead-brewer to the multitude; Also pleasant, a songster generous, amiable. Pleasant, the open field to cuckoos and the nightingale; Also pleasant when the weather is serene.
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My sister is an artist and an interior designer. She went to high school for art. I went to high school for music.
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I prefer leaving things to the market as much as possible.
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My advice for other female directors: don't think of your gender as a handicap. Don't think about it at all. Just tell the best story you can, and don't stop until you do.
