Rhys Ifans Quotes
Quotes to Explore
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Stereotypes lose their power when the world is found to be more complex than the stereotype would suggest. When we learn that individuals do not fit the group stereotype, then it begins to fall apart.
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I vowed to myself when I got married that I would cook every night. I find it very therapeutic.
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I love the secrecy of writing fiction. When I write a novel, I don't tell anybody what I'm doing. I'm living in my private world. And it's a great sensation.
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Good tests kill flawed theories; we remain alive to guess again.
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The one thing I loved so much about making 'Pitch Perfect 2' - especially in comparison to a movie like 'Ten Thousand Saints' - is you can go and be yourself, and you just know that all your weirdness and craziness and imperfections are completely embraced and accepted.
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I've seen a fair bit of the States and the rest of the world, and I'm convinced that there's nowhere I'd be happier, there's nowhere I'm missing out on because I'm in N.Y.
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One thing I have been banging on about, we have a dessert deficit in the U.K. We still import a very large proportion of our desserts. I would ask everyone to go out and buy a British dessert.
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My parents are pretty good about keeping me humble. They brought me up good.
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This economy is not getting better and the president's policies are the reason.
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You should never turn your back on the market that gave you notoriety and be who you are and give you the numbers it gives you in the United States. I can't deny that the success I've had in the United States or the success that 'Pulling Strings' was due to my work in Latin America.
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Before I moved to the Isle of Wight, I lived in the suburbs of London and saw 'Fantasia,' and it scared the living daylights out of me. And I didn't go back to the movies until many years later to see a Lasse Hallstrom film.
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Pop belonged to more musical people in earlier times, but we've sort of gotten away from that. Now it's software people. I kind of feel like reclaiming it is in order.
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I want to work on environmental issues.
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It's neither my job nor within my capabilities to save people. But a book sure can try.
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Together we can decrease the level of violence, raise awareness of our activities and save lives around the world. The impact of a day of global ceasefire and non-violence cannot be underestimated.
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I learned many things from Professor Brown, including his philosophy toward research, but there is one thing he said that I recall with particular clarity: 'Do research that will be in the textbooks.' It is not easy to do such work, but this has remained my motto.
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I need an office and a place I can sit down to get away from television and just write.
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If I could be doing anything, I'd be laying on the floor in my birthday suit eating junk food and watching something dumb on TV.
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With a brand like Gucci, you have to give something that belongs to beautiful Italian culture in terms of craftsmanship and materials.
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I think the hardest part about making a scary film is about being able to retain the mystery, especially when it comes to supernatural stuff.
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For whatever reason, the films I gravitate towards do have these strange sort of tonal balances to them... I kind of realized on '50/ 50' why I liked these blending of tones, because I think it's kind of what life is like: funny one minute, sad the next, scary the next.
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If it is not scary, it is not worth doing.
