Arthur Mitchell Quotes
Do you know what it took for Balanchine to put me, a black man, on stage with a white woman? This was 1957, before civil rights. He showed me how to take her [holding her delicately by the wrist]. He said, ‘put your hand on top.’ The skin colors were part of the choreography. He saw what was going to happen in the world and put it on stage.
Quotes to Explore
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My daughter, Lila, is my style critic. She'll say, 'No, Mummy, you can't wear that.' She's very good. I do trust her instinct.
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Laughter is the mind's intonation. There are ways of laughing which have the sound of counterfeit coins.
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Imagination will often carry us to worlds that never were. But without it we go nowhere.
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With patient and firm determination, I am going to press on for jobs. I'm going to press on for equality. I'm going to press on for the sake of our children. I'm going to press on for the sake of all those families who are struggling right now. I don't have time to feel sorry for myself. I don't have time to complain. I am going to press on.
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In writing a little tragedy, 'The Gaol Gate,' I made the scenario in three lines, 'He is an informer; he is dead; he is hanged.' I wrote that play very quickly.
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I think music should be scary. Music is an exorcism.
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We are a very big and vast Government, and naturally, every ministry is becoming bigger and bigger. It becomes, therefore, essential that there should be proper coordination.
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I love what I do so much. I just keep going. Not much can bring me down.
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I'm so motivated to collaborate with people and help them realize the kind of collective vision.
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In the U.S.A., technical innovations come out of universities and the research produced by Ph.D. students. We don't have that happening in India.
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Oddly enough, Bruce Lee wrote some great philosophy.
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I think it's a mistake to go after someone just based on looks. But I always respond to people who don't act that interested in me.
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It's quite difficult to write about female friendship without it seeming to be a very niche subject. It's a difficult balance.
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If 'Deadwood' had gone on another two years, I wouldn't have got as many movies made.
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Chance is always powerful. Let your hook always be cast; in the pool where you least expect it, there will be fish.
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Be of love a little more careful than of anything.
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I never consciously do any work directly influenced from any movie, unless I'm doing a parody.
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I think the most un-American thing you can say is, 'You can't say that.'
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I'm yet to attack French cooking, you know, where it's intense, following recipes and stuff. I'm more of a 'make it up' kind of thing.
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The imperative is to define what is right and do it.
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I don't eat when I'm working. If I start to fridge-raid, I'm in trouble.
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You're out on stage, the music is blaring, the crowd is screaming, the lights are flashing, your heart is pumping, the sweat is flying, and it's the greatest feeling in the whole world.
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I maintain that every civil rights bill in this country was passed for white people, not for black people.
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Do you know what it took for Balanchine to put me, a black man, on stage with a white woman? This was 1957, before civil rights. He showed me how to take her [holding her delicately by the wrist]. He said, ‘put your hand on top.’ The skin colors were part of the choreography. He saw what was going to happen in the world and put it on stage.
