Ben Yagoda Quotes
The Copyright Act of 1909 set the term for copyright of a musical composition to twenty-eight years, renewable for an additional twenty-eight, and for the first time included under copyright “public performance for profit.” That is, anyone playing or singing a copyrighted song had to pay for the right to do so. “Had to” but often didn’t: many bandleaders—and the restaurants and nightclubs that employed them—resisted paying anything to copyright holders, sometimes offering the justification that public performances stimulated sheet music sales.
Quotes to Explore
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It is hard to watch myself. I'm hypercritical, and it's difficult to watch a performance when I may end up being at odds with it - wishing I'd done something differently or that they had edited it a certain way.
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Music is another great pleasure of life. I like all sorts.
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What comprises good performance? The ability through singing or playing to make the ear conscious of the true content and affect of a composition.
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Music rhythms are mathematical patterns. When you hear a song and your body starts moving with it, your body is doing math. The kids in their parents' garage practicing to be a band may not realize it, but they're also practicing math.
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I actually spend very little time listening to any new music.
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Regular martial arts is traditional, with no music and no flips choreograhed into it. But extreme martial arts is choreographed to music. It's very fast-beat uptempo, and you put a lot of acrobatic maneuvers into the routine.
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I first fell in love with music when I was a little boy. When I first heard music, I felt the beauty in it. Then, being able to tap along on a table top and box was great, but my favorite thing to do was to watch records spin. I would almost get hypnotized by it. These things are what drew me in initially.
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My scientific work is much more practically minded - to change something, to effect something. And the music I do is much more soft power, about changing minds.
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I love going to the cinema, listening to music, yoga and long walks along Holkham beach in Norfolk.
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There's the Bacon society, which is fostered by his fourth wife Helen Bacon, but I don't know what kind of performances his music gets. He wrote symphonic music and some chorale music.
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A composition is always more than the sum of its parts. In other words, a really good piece of music is more than itself. It's sort of like a prism, which you can see from each facet a single totality.
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Music is part of the life of fashion, too.
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Mix-tapes are something that have been going on for a while. They've been pretty important to hip-hop for the past 10 years. It's the way we advertise our music to the public for free.
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When I was young, people were almost identified solely by the kind of music they liked. People fell into categories of who liked what.
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I'm not very good at picking stuff up off the radio. It takes me way too long to learn other people's music.
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You can't expect someone born into a family with no music... to understand when I'm conducting the Schoenberg Variations.
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I want to position my books as premium-priced versions on the reasonably-priced scale, if that makes sense, to find a sweet spot between the high-end of what my brand can support and the low end that results in impulse purchases and maximum sales volume.
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My music started as a way to break through weaknesses - like anxiety, which was completely taking over my whole life, where I could barely function.
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I could always sing, from a really young age, but my voice was really weird. I used to make my mum turn up the radio every day in our house. She was well into music so I got that from her.
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We still have the love for music; it will forever be in my heart.
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If I speak, I am condemned. If I stay silent, I am damned!
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The North Korean landscape is strikingly beautiful in places. It could be said to resemble America's Pacific Northwest - but substantially drained of color.
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Entertainment is such a non-reality.
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The Copyright Act of 1909 set the term for copyright of a musical composition to twenty-eight years, renewable for an additional twenty-eight, and for the first time included under copyright “public performance for profit.” That is, anyone playing or singing a copyrighted song had to pay for the right to do so. “Had to” but often didn’t: many bandleaders—and the restaurants and nightclubs that employed them—resisted paying anything to copyright holders, sometimes offering the justification that public performances stimulated sheet music sales.
