Rich Moore Quotes
To me, I love being able to see some of John C. Reilly's face in Ralph, and some of Sarah Silverman in Vanellope. That there are hints of them there. In the broad strokes, they are there.

Quotes to Explore
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Commitments the voters don't know about can't hurt you.
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Who said that being Latino is to be a stereotype? Characters are stereotypes when making plans or without shades. I do not believe in the picture or model established in the movies.
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What a writer can do, what a fiction writer or a poet or an essay writer can do is re-engage people with their own humanity.
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When we were first together, he said, Nobody's ever called me Darling. I said, I can't believe that - I could just cry thinking about it.
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It is an honor to appear on the side of the afflicted.
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And every book, you find, has its own social group--friends of its own it wants to introduce you to, like a party in the library that need never, ever end.
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No well-run yacht basin in Southern waters is complete without at least two sun-burned, salt bleached-headed Esthonians who are waiting for a check from their last article. When it comes they will set sail to another yacht basin and write another saga.
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It is well known that homosexuality is a criminal offense in the United States, in four US states. If it is good or bad, we know the decision of the Constitutional Court, but this problem has not been dealt with yet, it is still being addressed by the legislation of the United States. This is not the case in Russia.
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All my discoveries have been made in answer to prayer.
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I'm disappointed we lost but I'm more disappointed with the way we played.
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There's only one sort of natural blonde on earth - albinos.
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As you know, I was one of the original grunters. But Jimmy Connors used to grunt way before I was born. I never knew I was grunting, it was just part of my strokes.
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The best came from my martial arts teacher, who also taught Elvis. He said, Your ego will get you killed.
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Tunisia will continue to be a source of influence, not through its size but through the ideas and the models that it represents.
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To me, I love being able to see some of John C. Reilly's face in Ralph, and some of Sarah Silverman in Vanellope. That there are hints of them there. In the broad strokes, they are there.