Steven Siro Vai Quotes
When Frank Zappa would get an idea for a song, he just did it. He didn't wait for anybody or expect anyone to do it.

Quotes to Explore
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If you love things or ideas or people that contradict each other, you have to be prepared to fight for every square inch of intellectual real estate you occupy.
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I have new ideas every day, and I always want to take on new challenges.
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To me, there is nothing more soothing than the song of a mosquito that can't get through the mesh to bite you.
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People say, 'How does having kids change your writing? Do you see the world through their eyes?' No - you just become a faster songwriter... In the old days, you'd be like, 'Oh I'm gonna work on this song for a few days.'
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'Float On' was a fine song, but I was still writing the lyrics on the last day we were working on it and deciding if it was something we wanted to put on the record.
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When I first came to the Bay area, I worked in Silicon Valley in the early to mid-'90s, and I think what mattered then was our ability as designers to create a vision around people's ideas.
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The buzz you get when you're playing a song and everyone is screaming and dancing and what have you and singing along is incredible.
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It usually takes me 20 to 90 minutes to write a song because once I start, I don't stop. If I start writing a song, and you try to have a conversation with me, you're a bad person.
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Sometimes videos make a bad song very tight.
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One of my favorite albums in the world is Bruce Springsteen's 'Nebraska.' Each song has this very distinct character who has something profound to say.
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I was doing these performance art pop music pieces in the city. And they were a bit on the eccentric side I suppose. So people started to call me Gaga after the Queen song 'Radio Gaga.'
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There's a lot of craft that goes into achieving a hit song - at the beginning of your career, you're usually more inspiration than craft, and you get great when those intersect. A skilled songwriter can get you to that intersection.
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My favorite show tune has got to be Stephen Sondheim's 'I Remember Sky.' It's probably the saddest song of all time; I sing it to myself in the mirror. No, I am kidding. That's the joke.
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What you hear about the band is always going to be more disturbing than any particular song.
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I didn't used to do shows, because I used to be so shy. We'd perform, and I'd be at the back, thinking of another song. I was so shy, I ain't never getting in front of the camera; I would never get on stage.
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I'd like to do a completely off-the-wall collaboration. I would like one of my songs to be the hook to a rap song. That would be so much fun!
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'Can't Get Closer' I originally recorded in about half an hour, just on my bed with a microphone. I actually re-recorded the song with a cleaner vocal take, but I decided to leave the demo version on there, just because I felt that instant where it was created is what captured the most emotion.
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No grand idea was ever born in a conference, but a lot of foolish ideas have died there.
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I've been having meetings with people, just everywhere in the world, and it's like, 'Hey, really love you to work with me, send me some ideas.' That's the crazy part.
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...Stevens does not think of inspiration (or whatever you want to call it) as a condition of composition. He too is waiting for the spark from heaven to fall-poets have no choice about this-but he waits writing; and this-other things being equal, when it’s possible, if it’s possible-is the best way for a poet to wait.
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To have nothing to do, to sit there waiting for little aches and pains, is fundamentally wrong. Life has to be lived.
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I don't necessarily wait for that massive leading role. I want to keep the juices flowing.
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When Frank Zappa would get an idea for a song, he just did it. He didn't wait for anybody or expect anyone to do it.