Steven Siro Vai Quotes
When Frank Zappa would get an idea for a song, he just did it. He didn't wait for anybody or expect anyone to do it.
Quotes to Explore
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If you love things or ideas or people that contradict each other, you have to be prepared to fight for every square inch of intellectual real estate you occupy.
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I have new ideas every day, and I always want to take on new challenges.
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To me, there is nothing more soothing than the song of a mosquito that can't get through the mesh to bite you.
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People say, 'How does having kids change your writing? Do you see the world through their eyes?' No - you just become a faster songwriter... In the old days, you'd be like, 'Oh I'm gonna work on this song for a few days.'
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'Float On' was a fine song, but I was still writing the lyrics on the last day we were working on it and deciding if it was something we wanted to put on the record.
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When I first came to the Bay area, I worked in Silicon Valley in the early to mid-'90s, and I think what mattered then was our ability as designers to create a vision around people's ideas.
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The buzz you get when you're playing a song and everyone is screaming and dancing and what have you and singing along is incredible.
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It usually takes me 20 to 90 minutes to write a song because once I start, I don't stop. If I start writing a song, and you try to have a conversation with me, you're a bad person.
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Sometimes videos make a bad song very tight.
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One of my favorite albums in the world is Bruce Springsteen's 'Nebraska.' Each song has this very distinct character who has something profound to say.
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I was doing these performance art pop music pieces in the city. And they were a bit on the eccentric side I suppose. So people started to call me Gaga after the Queen song 'Radio Gaga.'
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There's a lot of craft that goes into achieving a hit song - at the beginning of your career, you're usually more inspiration than craft, and you get great when those intersect. A skilled songwriter can get you to that intersection.
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My favorite show tune has got to be Stephen Sondheim's 'I Remember Sky.' It's probably the saddest song of all time; I sing it to myself in the mirror. No, I am kidding. That's the joke.
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What you hear about the band is always going to be more disturbing than any particular song.
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I didn't used to do shows, because I used to be so shy. We'd perform, and I'd be at the back, thinking of another song. I was so shy, I ain't never getting in front of the camera; I would never get on stage.
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I'd like to do a completely off-the-wall collaboration. I would like one of my songs to be the hook to a rap song. That would be so much fun!
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'Can't Get Closer' I originally recorded in about half an hour, just on my bed with a microphone. I actually re-recorded the song with a cleaner vocal take, but I decided to leave the demo version on there, just because I felt that instant where it was created is what captured the most emotion.
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No grand idea was ever born in a conference, but a lot of foolish ideas have died there.
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All my song writing starts in same form, I have so many scraps of choruses and verses and voice recordings and actual recordings, which then often conceptualises as a rhythmic and melodic and a delivery thing.
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I can access emotions very easily.
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These things which are made of light and grammar and sound that come chirping and squealing and tumbling toward you. 'Hooray! Welcome! You're here!', and in my case, 'You send so many and you come so rarely!'
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There is a book into which some of us are happily led to look, and to look again, and never tire of looking. It is the Book of Man. You may open that book whenever and wherever you find another human voice to answer yours, and another human hand to take in your own.
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Whether religion is man-made is a question for philosophers or theologians. But the forms are man-made. They are a human response to something. As a historian of religions, I am interested in those expressions.
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When Frank Zappa would get an idea for a song, he just did it. He didn't wait for anybody or expect anyone to do it.
