Ashley Kahn Quotes
Paul's One Way Out is a fresh, intelligently arranged, and satisfyingly complete telling of the lengthy (and unlikely) history of the group that almost singlehandedly brought rock up to a level of jazz-like sophistication and virtuosity, introducing it as a medium worthy of the soloist's art. Oral histories can be tricky things: either penetrating, delivering information and backstories that get to the heart of how timeless music was made. Or too often, they lie flat on the page, a random retelling of repeated facts and reheated yarns. I'm happy to say that Paul's is in that first category.
Quotes to Explore
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I'd just play 'til my hands fell off. My parents would yell at me to stop because they couldn't stand the noise any more! I was terrible! It must have been hard for them to listen to me as a beginning drummer.
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My whole life, people have been saying, Why are you so angry?
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I think shoppers are looking for newness and creativity. Look at C. Wonder, for instance. They're dancing in our stores. We don't believe in retail like retail was done in the past. We believe in disrupting the whole environment, offering them amazing value in an amazing package of fun, excitement and whimsy.
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My father, I think he played percussion in high school. My mother played piano when she was very young, but only for a brief while. I don't think she had a great teacher. In any case, neither of them were really into music at a young age.
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I write 'Broad City,' so I connect it to me.
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I think what television and video games do is reminiscent of drug addiction. There's a measure of reinforcement and a behavioural loop.
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The stage is the best experience in the world. It's a great compliment to be able to share the music, because people can hear my album but they don't get to make the connection in the same way as when it's one-to-one.
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It's been tough for me being away from the game.
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It is so important for girls and boys to have a female, strong superhero to look up to.
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I don't mind being described as vanilla in certain ways.
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I'm someone that examines culture and tries to break down why things are the way that they are whether its hip-hop music, sex, race, or consumerism. I try to examine it and scrutinize it to the point where I can write a song.
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My younger brother's death in Vietnam was both sobering and cause for reflection. In 'Fallen Angels' I wanted to dispel the notion of war as either romantic or simplistically heroic.
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Pictures are for entertainment, messages should be delivered by Western Union.
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My imagination is a twisted place.
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And also, I think Japan places great value on the lyrics.
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I am definitely a spiritually centered person and that is usually one of my biggest guiding lights beyond music.
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When I first moved to New York, all I did was musical theater. That's what I studied at Carnegie Mellon University.
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They ought to put out the eyes of painters as they do goldfinches in order that they can sing better.
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My mind is always on whatever next project I'm working on.
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I love doing kitchen renovations where we're opening up the kitchen and creating open-concept main floors. I think that's one renovation that really changes the way people live in their homes.
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We sat together as a family for dinner at night. And my mother had a job. My dad had a job. But there was always a meal on the table at 6:00, you know.
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How is it possible that the poorer classes can remain healthy and have a reasonable expectation of life under such conditions? What can one expect but that they should suffer from continual outbreaks of epidemics and an excessively low expectation of life? The physical condition of the workers shows a progressive deterioration.
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Paul's One Way Out is a fresh, intelligently arranged, and satisfyingly complete telling of the lengthy (and unlikely) history of the group that almost singlehandedly brought rock up to a level of jazz-like sophistication and virtuosity, introducing it as a medium worthy of the soloist's art. Oral histories can be tricky things: either penetrating, delivering information and backstories that get to the heart of how timeless music was made. Or too often, they lie flat on the page, a random retelling of repeated facts and reheated yarns. I'm happy to say that Paul's is in that first category.
