Keinan Abdi Warsame (K'naan) Quotes
It's not really that I'm interested in filmmaking. I'm interested in the instrument of it, you know.
Quotes to Explore
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Justice is never given; it is exacted.
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Interviews make me so nervous - I can't get a sentence out of my mouth.
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I think every job I do, I sort of look for the challenge in. I mean, that's why we do this job. It's not, you know, obviously not for the money or for the fame, it's for, I guess finding out more about yourself.
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First of all, I try to be a positive role model.
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I don't think that - you know, I'm sure that there's guys that are doing it, because I'm sure in every sport there's players who want to get the edge. But I think that it's been blown overly - way more than guys are using it in our game.
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Nature is the incarnation of thought. The world is the mind precipitated.
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If you don't see something as a career but as an important part of your life, you don't know how you're going to feel about it.
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As a child, I always liked dressing up and getting into character, and actors are lucky in being able to retain that playfulness, though we do seem to find it hard to grow up.
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There's a different energy with a female director, a female at the head of the production. I don't prefer one over the other, but they're definitely different experiences, and I would love to have more of them.
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For me, writing about hotels is like writing about being in a parallel universe. The sense of voyeurism, and the sense of removedness, and there are all these people silently above you and next to you.
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Sport's hard: the margin between winning and losing is tiny.
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Well, I'm trilingual myself. I am, I know how to speak Spanish, English, obviously, and I speak pretty good Ebonics.
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In time we grow older, we grow wiser, we grow smarter, and we're better. And I feel like I'm becoming more seasoned, although I don't have my salt-and-pepper hair.
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My goal is to improve my game, stay healthy and be competitive. If I have that, I know I can be able to win tournaments, which in the end is what it counts.
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Matt Weiner is very perceptive; there's something about the rhythms and the way people speak that is very authentic to the actor. But there are qualities that are dissimilar. The characters on 'Mad Men' are struggling with pretty profound unhappiness, but I can tell you this is a happy bunch.
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I guess I'd love to be surprised by something I had never thought of.
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Coney Island was the centre of the world for me. I loved the rides, the hot dogs - I've never gotten over it.
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But I don't think we'll go there until we go back to the moon and develop a technology base for living and working and transporting ourselves through space.
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I select a very small number of things to be sceptical about, such as markets, and on these I am hypersceptic. But I want to be fooled by randomness in art. I want the ceremonial of religion; we are made for it.
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In prose, you have a lot more room for digression, for very meaty kinds of dialogues. In graphic novels, you're writing haiku-length dialogue. Your job is to be efficient, to get out of the way of the art.
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But surrealism is present in most of my pictures.
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A handicap is like trying to race and you have a ten pound weight stuck to your waist. That is a handicap.
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It's not really that I'm interested in filmmaking. I'm interested in the instrument of it, you know.
