Aubrey Daniels Quotes
Quotes to Explore
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I think a strong dollar is the result of policies, but I don't think the strong dollar is in and of itself a policy.
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I wonder sometimes if the motivation for writers ought to be contempt, not admiration.
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Countries that intervene militarily rarely do so out of pure altruism.
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I feel at home in a lot of places, but I am truly an African-American.
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The 20th century was a test bed for big ideas - fascism, communism, the atomic bomb.
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I probably have a higher opinion of my writing than the average person, at least when I'm in a good mood, but I don't really think of my plays as only being relevant to a particular month or year.
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You need to impress me, outwit me, compete with me? Go ahead, knock yourself out, I have no problem with that at all.
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Any reflection about poetry should begin, or end, with this question: who and how many read poetry books?
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I have to satisfy my audience.
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I think we're the first generation to successfully integrate American society.
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I'll keep doing my training and I'm sure the goals will come.
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Peter Dinklage is one of my oldest friends from New York!
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Destroying rainforest for economic gain is like burning a Renaissance painting to cook a meal.
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You can never predict a hit or a flop, but it's about what you are happy doing as an actor. Every actor comes with his or her own mindset.
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When we do an investment, we always ask, 'Can we affect the outcome? When buying a company, can we have an impact?' That's a different style of investing than a passive investor in the stock market. To me, that's how you're taking the risk out of it. You know what your capability is and how you can enhance value.
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A man's kiss is his signature.
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The natural sweetness of leeks, with their soft, oniony aroma, makes them the perfect winter comfort food.
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Right now the focus is the album that is released and then the tour coming up. After the tour they will let us know about the options and offers that came in for us.
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I always love that phrase, 'Oh, this is a good idea, but it's execution dependent.' As if anything in life is not execution dependent. Breathing is execution-dependent.
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Once I had started film, I suddenly said, 'Wow, I love it.' I moved there from New York. But I've always gone back to the theater, and it is more satisfying, really, because you get to give a continuous performance - no sequels.
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In his very rejection of art Walt Whitman is an artist. He tried to produce a certain effect by certain means and he succeeded....He stands apart, and the chief value of his work is in its prophecy, not in its performance. He has begun a prelude to larger themes. He is the herald to a new era. As a man he is the precursor of a fresh type. He is a factor in the heroic and spiritual evolution of the human being. If Poetry has passed him by, Philosophy will take note of him.
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The point here is that straight men, by definition, have nothing to cry about, ever—since, after all, the hold all the cards in contemporary society. What's bizarre is that the author of these words spent forty years of her life married (happily, by all accounts, including her own) to a straight man. The only way to reconcile such rhetoric with her actual life and feelings is to recognize that Sedgwick truly is engaged in an act of performance here—playing a role, putting one over on us.
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The best kind of performance review is no performance review.
