Audie Cornish Quotes
[people] very fact that it's decentralized makes it literally impossible to try to hack or rig the results.
Quotes to Explore
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I always wanted to do things on my own terms, and unfortunately in this industry, that's not something that is easily given. You're at the mercy of other people, but then you still have that drive to continue on. That's an equation for a lot of heartbreak.
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Americans have the right under the Second Amendment to own firearms, and that is not going to change.
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Yeah, I'm from Jersey; it's almost like I was automatically born a Nets fan.
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Michael Jackson wanted to be in Men in Black II. He told me he had seen the first Men in Black in Paris and had stayed behind and sat there and wept. I had to explain to him that it was a comedy.
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There's a lot of interviews now where nobody seems to talk about anything. Like it's illegal. But it can be fun if you stay involved. Like most conversations.
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In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
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I think that the good and the great are only separated by the willingness to sacrifice.
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As far as the Russians were concerned, I felt the reverse; they had adequate gold, if they wanted to buy, and they weren't dependent upon international trade. I felt they were more self-sufficient.
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David Lynch helped me be cool.
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There are so many great things in life; why dwell on negativity?
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I mean, look at her. Any idiot, you know, would quite taken with Amy.
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As is widely accepted, putting a price on carbon pollution is the lowest cost and most efficient way to tackle dangerous climate change.
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I tend to discourage people from calling me 'Sir Ian,' because I don't like being separated out from the rest of the population. Of course, it can be useful if you're writing an official letter, like trying to get a visa or something passed through Parliament. They're impressed by these things.
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Seeing what happens when you rip yourself open is what your job is all about.
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You have to have a certain amount of limitations, I think, to make art and to make something that can be alive on film. Money can get in the way of that.
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There is a finite group of major financial players... and overall, the best thing for all of us is to be in an industry that's well respected, well regarded, and well thought of.
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I just want to live each moment, but it's kind of hard to do that when you are asked to analyze yourself constantly. But it's also good in that you are forced to think about things that you don't ordinarily think about. I think it's strange.
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But it's for every writer to decide his own pace, and the pace varies with the writer and the work.
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I've witnessed so many meetings and conferences where people are trying to figure out what young people think, and my feeling has consistently been that you should just ask them.
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Inevitably the party trying to resolve a matter had to contend with the party most willing to exploit it.
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I'm not so vain as to believe that my involvement changes anything whatsoever.
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Only one time in my career I had that feeling [that this is not gonna get made], it was for this movie [Life of Pi]. It was right before we started the physical pre-production. I pre-visualized the whole ocean part before we made the movie, I was that prepared. At one point they seemed to want to drop it because it was really risky. The budget we proposed was a lot higher than they expected, they wanted to [drop it]. After all, it's a philosophical book and a literature property, it's not Batman.
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[people] very fact that it's decentralized makes it literally impossible to try to hack or rig the results.
