August Kleinzahler Quotes
Quotes to Explore
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I had to endure the worst time of all in terms of racial discrimination in Hollywood when I first started out. It was inconcievable to American directors and producers that a Mexican woman could have a lead role.
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It's pretty hard to make out what's going to be a commercial success and what's not.
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The late Seventies was the death of the manufacturing age in the United States. It was also a time when the Pictures Generation artists were getting started. They co-opted the language of advertising. The factory disappeared, and weirdly, so did the art object - it was the age of making gestures, not objects.
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People always say 'humbling,' but I actually think it's quite inflating being nominated for an award. It's wonderful; it's a great feeling.
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I think that any sort of fantasy or sci fi that is grounded in something that could ostensibly be real - 'Jurassic Park' being my favorite example - is that much more prescient because it means that much more. Maybe one day, what if?
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I never believe them when they say that because you really have to sort of be aware of what's going on in the news in order to get the jokes on the show.
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I believe to have been one of the rare drivers to have returned to Ferrari.
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There is a kind of structure for a story that was peculiarly compelling for the radio. I thought I had invented it atom-by-atom sitting in an editing booth in Washington on M Street when I was in my 20s. Then I found out that it is one of the oldest forms of telling a story - it was the structure of a sermon.
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I'm very proud of my records, but my most natural creative tendencies have been in live performing. There's a beautiful element to recording and making records, but I've always felt a little shy with it.
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At times, training at home is a distraction, so training in Big Bear was a really good change.
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When I was in college, I used to love to watch football on Sundays.
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After a 15-year career in television news, sometimes spent biting my tongue in the name of objectivity and balance, I retired to raise our two small children.
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My main hope is eventually, in modern education field, introduce education about warm-heartedness, not based on religion, but based on common experience and a common sort of sense, and then scientific finding.
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I try to have fun with the fans, try to have fun.
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It's the story of New York. Storefronts change and languages change, but at the end of the day, people come here to find opportunity like my family did.
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It is the duty of the State to educate, and the right of the people to demand education.
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In high school, I had a really difficult time just loving myself. It's weird; I feel like in the world we live in today, you're not supposed to be like, 'I'm beautiful,' like that's a conceited thing to say.
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In this media-drenched, multitasking, always-on age, many of us have forgotten how to unplug and immerse ourselves completely in the moment. We have forgotten how to slow down. Not surprisingly, this fast-forward culture is taking a toll on everything from our diet and health to our work and the environment.
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Barcelona is a very old city in which you can feel the weight of history; it is haunted by history. You cannot walk around it without perceiving it.
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I didn't work with any of the beasts [ "Fantastic Beasts"], I didn't have much green screen, but I loved working on it. I'm excited to see it myself.
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The world of the cinema and of painting are very different; precisely, the possibilities of photography and the cinema reside in that unlimited fantasy which is born of things themselves... a piece of sugar can become on the screen larger than an infinite perspective of gigantic buildings.
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We in no way are naive to think that just because Russia and the United States agree to reduce their arsenals, that everyone else will fall in line.
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Pleasant, the heath when it is green; Also pleasant, the salt marsh for cattle. Pleasant, the time when calves draw milk; Also pleasant, foamy horsemanship.
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Outside, the trees do their witchy dance.
