John Tilbury Quotes
It should be pointed out that none of Cardew's works ever gave total freedom to the performer. The instructions were a guide which focused each individual's creative instinct on a problem to be solved - how to interpret a particular system of notation using one's own musical background and attitudes.
Quotes to Explore
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It's a different way of getting across an emotion. You're trying to get it across to the animator because the animator is inspired by the voicetrack in terms of how to animate the character.
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When I first came out with my fans and the wind hit me, I almost took off.
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I always enjoyed movies and in hindsight I realise how captivating they were to me.
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Family comes out whenever we know it's gonna be steady on a run that's continuous.
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In basic training we had been told to watch out for Japanese spies.
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Were there none who were discontented with what they have, the world would never reach anything better.
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I don't sit under the tattoo gun unless I'm sold on it completely and it will define me as a person.
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Every single administration in American political history has put cronies and pals and donors into political positions. But normally those people become the ambassador to Liechtenstein or the deputy undersecretary of commerce.
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I played violin and got into that Suzuki program in the second grade.
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Someone once said that you can make the choice between getting old and getting creepy, and I think getting old is the way to go.
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Sorry, no, I'm never satisfied with my drumming.
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I was born in India - but never really lived there.
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Marvel has such a huge slice of the pie.
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When I'm writing, I like to seal everything off and face the wall, not to look outside the window. The only way out is through the sentences.
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I like listening to Beyonce, and I like Jason Derulo. I love his new song 'Don't Wanna Go Home.'
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Not all offers I get are exciting and inspiring. I would rather sit at home and not work than jump into mediocrity for the sake of just moving ahead. If it's a good script, I would sacrifice my personal time and grab it.
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I've been an actress for years, and I've worked with one female director. Statistically it's less than 7% or 12% - I mean, it's low, not representative. So, hopefully, more women will be given opportunities to direct, or create opportunities to direct themselves.
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I read autobiographies because there is too much fiction in my life.
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Surprise comes from defying expectations.
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The life I remember begins at Imperia, where I went to school, including the Ginnasio-Liceo 'De Amicis.'
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Probably. When we got together and started throwing around the ideas, I just started bringing out some old riffs I used to play. 'Guarded' and 'Decadence' are pretty much straight-up, aggressive tracks on the album. Those were the first two ideas I had come up with. That set the tone right off the bat of it being a little bit more aggressive at times. Out of 19 songs that we tracked 14 going on the album that's a lot of material. We try to give every song its own identity. We don't want to fall in the rut of being a repetitious-sounding band. We don't want every song to sound like 'Down with the Sickness' or 'Prayer' . It's got to be a creative mood. It's got to be its own thing.
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I come alive when I have assisted in bringing out the printed word on the stage, you know, and I enjoy directing plays. It's a tactile process, theatre, unlike a number of other forms of the creative work.
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We simply assume that the way we see things is the way they really are or the way they should be. And our attitudes and behaviors grow out of these assumptions.
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It should be pointed out that none of Cardew's works ever gave total freedom to the performer. The instructions were a guide which focused each individual's creative instinct on a problem to be solved - how to interpret a particular system of notation using one's own musical background and attitudes.
