Washington Irving Quotes
He is the true enchanter, whose spell operates, not upon the senses, but upon the imagination and the heart.

Quotes to Explore
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You're only as good as your last song. That's something somebody told me, and it's so true. You've just gotta keep putting yourself out there, even promoting 'God Made Girls.'
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I've always loved massive worlds, whether in fantasy or science fiction. I like the idea of making my own rules as well as utilizing everything that I love or inspires me. It's very freeing to know you can write a story that can be as big as your own imagination.
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The censor's sword pierces deeply into the heart of free expression.
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Most importantly, you have to stay true to yourself as well as those fans who made you who you are as an athlete.
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The doctor who applied a stethoscope to my heart was not satisfied. I was told to get my papers with the clerk in the outer hall. I was medically rejected.
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It may sound funny, but it's true: I tried to put myself through the 12-step program. I didn't want to attend a real meeting; my role didn't really require that, and I feel those meetings are sort of sacred, and they're anonymous for a reason. I tried to deal with some of my love of snacks - and I relapsed a lot.
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If you first fortify yourself with the true knowledge of the Universal Self, and then live in the midst of wealth and worldliness, surely they will in no way affect you.
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I like something where I can really use my imagination and be an active participant in the construction of the monster and usually that's in the world of the supernatural or the world of the fantastic, so that's why those kinds of stories about demons and the supernatural appeal to me or maybe I'm really interested in that subject.
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It is not true that people are naturally equal for no two people can be together for even a half an hour without one acquiring an evident superiority over the other.
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What appears in newspapers is often new but seldom true.
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I don't think that acting is as youth-obsessed as the general culture. In acting, as you get older, you get better, and the parts you get improve, too. But that's only true for a man, not a woman.
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A nice blend of prediction and surprise seem to be at the heart of the best art.
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Every view, and every object I studied attentively, by viewing them again and again on every side, for I was anxious to make a lasting impression of it on my imagination.
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I keep my heart and my soul and my spirit open to miracles.
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The debt we owe to the play of imagination is incalculable.
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One day, I was at my grandmother's house, and I found diaries that she kept as a young girl. I opened one to a page that had flowers glued inside. In her childish handwriting, my grandmother wrote, 'Pap died today. I am very sad.' The fact that this was true and that I could see the withered flowers made a huge impression on me.
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The fictive structure, my work, my imagination, my books are about the details, the huge construction about culture, Islamic culture or modern Turkey. They're all intertwined.
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The winter solstice has always been special to me as a barren darkness that gives birth to a verdant future beyond imagination, a time of pain and withdrawal that produces something joyfully inconceivable, like a monarch butterfly masterfully extracting itself from the confines of its cocoon, bursting forth into unexpected glory.
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When ambitious desires arise in thy heart, recall the days of extremity thou has passed through.
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'Troublemaker' is not an adaptation of 'Metro Girl' or 'Motor Mouth.' It is an original story. The hardest part was probably trying to keep the sound true to the novels. I always write in first person, and it was important to us that the readers of 'Metro' and 'Motor' be comfortable with the change over to a graphic novel.
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We expect well-informed treatment for cancer or heart disease; it matters no less for depression.
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We eat food all the time and don't really understand what goes into something like bread.
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He is the true enchanter, whose spell operates, not upon the senses, but upon the imagination and the heart.