Nick Willing Quotes
I always find myself pulled back into the fantasy genre, and I can't really explain it.Nick Willing
Quotes to Explore
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I've always loved massive worlds, whether in fantasy or science fiction. I like the idea of making my own rules as well as utilizing everything that I love or inspires me. It's very freeing to know you can write a story that can be as big as your own imagination.
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Australian genre films were a lot of fun because they were legitimate genre movies. They were real genre films, and they dealt, in a way like the Italians did, with the excess of genre, and that has been an influence on me.
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Here's the thing, for me at least: this is a huge genre now. It wasn't always so. Not so many years ago, it wasn't so. There is a tremendous diversity in fantasy today.
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A fantasy of mine is to do a podcast that's Marcel Marceau and I, and you only hear me laughing at him and trying to figure out what he's doing.
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Fantasy is sort of a blank slate that everybody can project their own culture onto. Everybody can read it in their own way.
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With epic fantasy, there is a tendency for it to be quintessentially conservative in that its job is to restore what is perceived to be out of whack.
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I've read every single fantasy novel there is. I mean, I would challenge a lot of people to read more fantasy novels than I have.
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I've had a love affair with the desert ever since I can remember. No matter what I wrote - contemporary romance, spy thriller, high fantasy - it was going to have a desert in it.
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I know, for me, 'Grease' was one of the first musicals that I can really remember watching as a kid, and I kind of fell in love that that genre.
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When I do a horror or a fantasy film it all boils down to something in the script that surprises me. It could be a big thing or a small moment. If it's there I'll do it.
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To me, steampunk and urban fantasy are naturally hinged together. And I think that's because I love the early gothic Victorian literature, and both things spring from that movement.
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Wizards was my homage to Tolkien in the American idiom. I had read Tolkien, understood Tolkien, and wanted to do a sort of fantasy for American kids, and that was Wizards.
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As an adolescent I wrote comic books, because I read lots of them, and fantasy novels set in Malaysia and Central Africa.
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I love the first two X-Men movies because I thought that Bryan Singer did such a great job. He elevated that whole genre. He's a very talented director.
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The blurring of fantasy and reality is something that the Japanese herald in their life, in their day-to-day commercialism.
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Slipstream fiction is usually defined as fiction with a contemporary setting in which story elements are mimetic (that is, seem real) - except for one or two eerie strangenesses. Unlike outright fantasy, these are not explained or integrated into an alternate-reality setting.
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I've always felt that 'X-Men' was about something serious. It wasn't just fantasy.
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Hungry for both fantasy and inspiration, readers crave protagonists who, after overcoming seemingly insurmountable obstacles, triumph at the end of the day.
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If it wasn't for some acci-accidents, then some would never learn.
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Customers don't care how much time something takes to build. They care only if it serves their needs.
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I knew I had to get out of Boston and stop making movies there, at least for one movie, otherwise no one would ever consider me for a movie that took place south of Providence.
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Some people worry because they are in debt; others, because they can't even get in.
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I always find myself pulled back into the fantasy genre, and I can't really explain it.
Nick Willing
