Caldwell Esselstyn (Caldwell Blakeman Esselstyn Jr.) Quotes
Quotes to Explore
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I think if we understand better the impact of war on women and children, we might be more careful about the wars we start.
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When you watch it, you're like, Wow. I look like that. But it doesn't feel like that at all. It was about communicating with Gale Harold and getting across what I wanted to say about the character.
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Being mean just for being mean's sake isn't funny.
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If God has allowed me to earn so much money, it is because He knows I give it all away.
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I'd say it's okay to be political and to be a writer. Those streams can be separate, and they can be connected; for me, they're both. Life is political, and I'm interested in my community and in a lot of issues - some of them American, some global.
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Once all struggle is grasped, miracles are possible.
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I like singing all songs, really, but I find that writing social commentary comes naturally.
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Whether you're making a million dollar film or a $100 million film there is never enough money, there's never enough time.
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Transformation literally means going beyond your form.
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A source of conflict for women everywhere is the pull between reproduction and production. Women worldwide have difficulty in balancing their dual roles as caregivers and providers.
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The worst thing you can do after a test screening is slash it for the lowest common denominator.
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Israel was founded as a refuge for the Jewish people, but today it isn't a safe place. It is safer to be Jew in New York.
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First ask yourself: What is the worst that can happen? Then prepare to accept it. Then proceed to improve on the worst.
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There's just something about that cold rush that I know I hate and a lot of other swimmers hate.
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Everything I've ever learned about acting - and I went to theater school - was about playing what the character wants and throwing yourself fully into going after what the character wants.
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One thing about Notre Dame, it's like a service academy in a lot of ways. There is a closeness.
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I was trying to learn how to deal with the freedom that I had away from home for the first time. 'Long Black Train,' the song and the album, are very special to me. It was just one of those things that I felt like God gave to me for a purpose, and I've been out here promoting that purpose.
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There's ways to amuse yourself while doing things and thats how I look at efficency.
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I've always found teenagers really interesting. I think they've got so much going on in their lives, so that lends itself really well to fiction because there's so much drama, so much activity, so much growth.
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Eventually, everyone said, Why don't you direct? It would save time. And that's how it started.
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You have to force yourself to give up and to move onto something else. That's the way you grow as a writer, by trying new things and tackling new subjects. But it's difficult. There's part of you that doesn't want to give up because you realize that, in some way, you're surrendering.
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There is a voice, and there is a DNA to how I design.
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I have been long a sleeper; but I trust My absence doth neglect no great design Which by my presence might have been concluded.
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Having the USDA design your food pyramid is like having Al Capone do your taxes.
