Campbell McGrath Quotes
The culture stays alive, but certain parts of it die or fail, and that's very interesting to me.
Quotes to Explore
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Sometimes when I visit my sister and her two children, I wonder if she missed a lot by getting married. Right now, nothing could be further from my mind than getting married.
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My maternal grandmother - she was a compulsive reader. She had only been through five grades of elementary school, but she was a member of the municipal library, and she brought home two or three books a week for me. They could be dime novels or Balzac.
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The mistake of the West was to put the Sauds on the throne of Saudi Arabia and give them control of the world's oil fortune, which they then used to propagate Wahhabi Islam.
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Hors D'oeuvre: A ham sandwich cut into forty pieces.
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My music is best understood by children and animals.
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I write entirely in English; Tagalog chauvinists chide me for this. I feel no guilt in doing so. But I am sad that I cannot write in my native Ilokano. History demanded this; if it isn't English I am using now, I would most probably be writing in Spanish like Rizal, or even German or Japanese.
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I just want to show the fans my big smile and play the game that I love.
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When I had cancer, people were surprised at how cheerful and upbeat I was, but I couldn't let myself go to depression - to go there, that defeat would allow everything in. If you look too far into the abyss, you might never come out again. You can stand on the abyss and peep but not give in to sadness.
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Belief is thought at rest.
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We all know what it's like to go through growing pains and have awkward moments talking to someone you have a crush on.
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I pity Americans for their very bad fruits. Your 'mango' is cucumber. The only thing I really miss about Egypt is mangoes.
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Marlon was so sensitive, you thought the poor guy just had a bad education.
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Ronald Isley is a musical genius.
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I've never worried about how long the song is.
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When I was little, I had concerts on the subway, and old ladies came up to me like, 'You are so good!'
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I'm a very lucky man. It's a beautiful thing for a writer, to see people allowing your words to enter their own unconscious and their souls.
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There is no gender to my music. There's no male or female voice, no trite lyrics or poetry. It's much more abstract, so it lives with you longer.
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If the crew is hit by the situation that we're trying to portray, I think we get a real and a stronger moment with the camerawork and the actors.
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I drink a lot of water and I never leave the house without putting on moisturizer and lip gloss.
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Crush your individuality first. Shake off the dreams of personal comfort. Then start to work. Inch by inch you shall have to proceed. It needs courage, perseverance and very strong determination. No difficulties and no hardships shall discourage you. No failure and betrayals shall dishearten you. No travails (!) imposed upon you shall snuff out the revolutionary will in you. Through the ordeal of sufferings and sacrifice you shall come out victorious. And these individual victories shall be the valuable assets of the revolution.
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I'm attracted to the rag & bone aesthetic - classic and effortless with an edge.
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The people in L.A. do orient themselves to light. I used to call it 'Tan Fascist Culture.' Everyone there is tanned, wears dark sunglasses, looks like a movie star even when they're not.
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Go ahead, fail. Try to avoid mistakes, though.
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The culture stays alive, but certain parts of it die or fail, and that's very interesting to me.
