John R. Bush Quotes
I think our songwriting has evolved. We can show that we have continued to branch out and do different stuff and incorporate different instruments. When it comes to writing, I think that we have pushed the envelope. We can do whatever we want to try - a longer song or a shorter song, some different instruments, some piano, an intro with just vocals, something that's scathing. Whatever. However we feel the song should go, that's what we will do. With that mindset, I think it's made us better writers.

Quotes to Explore
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My boy and I move. We have this game where if we dress in a particular item of clothing, we have to do a different movement. A hat means 20 jumps - that sort of thing. When I put a scarf on, my son has to drop down and do push-ups, immediately. He thinks it's really funny.
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I don't know what's on the other side.
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I still have a fear of theater. I don't know if I will manage that. I used to do it. I developed a bit of a phobia. It's not a real phobia. I can go in and watch.
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Certainly, I devote my energy to both telling my personal life story and seeking self- obliteration. However, I will not destroy myself through art.
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I like men who paint or write or do something creative.
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The director had come to Madrid to court me.
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I go straight from thinking about my narrator to being him.
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When I was in high school in the early 1970s, we knew we were running out of oil; we knew that easy sources were being capped; we knew that diversifying would be much better; we knew that there were terrible dictators and horrible governments that we were enriching who hated us. We knew all that and we did really nothing.
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I think that God, in creating man, somewhat overestimated his ability.
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There's no regrets for me.
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We all understand it's a privilege just to be playing in this league.
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The work on ants has profoundly affected the way I think about humans.
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Most quarrels are inevitable at the time; incredible afterwards.
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The thing is, it really did take us too long to get these recordings done. We've had our rough times in the studio in the past, but after four weeks most of the material would have been recorded. This time it seemed like it just goes on and on.
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I'm not a walking extra in a Chekhov play; I'm no Slavic gloom or Irish gloom.
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There are a lot of eating disorders in our sport, so I try very hard not to get consumed by all that.
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The easiest thing to do in the world is pull the covers up over your head and go back to sleep.
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I am a kind of paranoid in reverse. I suspect people of plotting to make me happy.
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My songs are like my kids.
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To God on whom we rely knows what suffering is all about- not merely in the way that God knows everything, but by experience.
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I grew up abroad, and when I first passed through London in the 1970s, it seemed a drab and provincial place.
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Sahasrara is your awareness. When it is enlightened, you get into the technique of the Divine. Now there are two techniques - the technique of the Divine and the technique that you follow. You cannot act as Divine but you can use the Divine power and maneuver it.
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Being a small boy it's very daunting seeing the Queen around and not really quite knowing what to talk about.
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I think our songwriting has evolved. We can show that we have continued to branch out and do different stuff and incorporate different instruments. When it comes to writing, I think that we have pushed the envelope. We can do whatever we want to try - a longer song or a shorter song, some different instruments, some piano, an intro with just vocals, something that's scathing. Whatever. However we feel the song should go, that's what we will do. With that mindset, I think it's made us better writers.