Quentin Crisp Quotes
Nothing in our culture, not even home computers, is more overrated than the epidermal felicity of two featherless bipeds in desperate congress.
Quotes to Explore
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I get up, go and get a coffee, and go do the crossword - I'm loyal to one particular paper, the 'Guardian' - and that's my idea of a perfect morning.
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Give me chastity and continence, but not yet.
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I'm a melancholy person. It's how I'm always going to be.
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Entrepreneurs in the United States and Europe finally figured out how to separate aluminum from minerals cheaply and also how to produce it on an industrial scale.
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I was so opposed to the war in Vietnam that I initially refused President Nixon's urgings for me to go there.
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I was a child of a tech family. My grandfather was a nuclear physicist and was always a gadget guy.
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I really don't believe in magic.
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We love those who know the worst of us and don't turn their faces away.
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Fidelity to conscience is inconsistent with retiring modesty. If it be so, let the modesty succumb. It can be only a false modesty which can be thus endangered.
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Music is such a part of my soul.
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What I want to do is tell stories about normal people in the American suburbs. I don't write the book where it's a conspiracy reaching the prime minister; I don't write the book with the big serial killer who lops off heads. My setting is a very placid pool of suburbia, family life. And within that I can make pretty big splashes.
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I think Hollywood wants to be safe. The things you do first become your calling card, and I think people just sort of go, 'Well, we know he can do that.' They kind of put you in that hole.
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I now have two different audiences. There's the one that has been watching my action films for 20 years, and the American family audience. American jokes, less fighting.
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Acting has always existed alongside my normal life. It's been a case of learning on the job. I've worked in so many styles, with so many people, so I've picked bits up from everyone and everything.
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I genuinely believe that if you want to get in the film business, get in the film business.
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I think human societies tend to be problematic.
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Some people object to libertarian ideas because there are too many irresponsible people in the world - people who will cause trouble if the government doesn't restrain them.
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With Shakespeare, there's no subtext; you're speaking exactly what you're thinking constantly.
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Anytime you put yourself in a creative box, it's going to stifle you; it's not conducive to the writing or recording process.
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The hardest role that I've ever tried to play was Clara Johnson in 'Light in the Piazza' at Lincoln Center. It was the least fun I've ever had, but the most beautiful experience I've ever had. I could not understand her. I could not put my feet in her shoes. I came home every night, and I was depressed.
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Unlike some, I don't claim to hold the mystic key to the future. But judging from past events, it seems to me that those who want to prophesy the imminent end of America's unique global role have a harder case to make than those who think we will limp on for a while, making a mess of things as usual.
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The genius of vinyl is that it allows - commands! - us to put our fingerprints all over that history: to blend and chop and reconfigure it, mock and muse upon it, backspin and skip through it.
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Nothing in our culture, not even home computers, is more overrated than the epidermal felicity of two featherless bipeds in desperate congress.
