Yvonne Strahovski Quotes
We did a lot of high school productions. My first was 'Twelfth Night.' I played Viola. We did 'Much Ado About Nothing' and 'Taming of the Shrew,' and a lot of musicals: 'The Wiz,' 'Bye Bye Birdie,' 'Oliver.'
Quotes to Explore
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Relationships, it seems to me, are timeless. What works between two people always works; what doesn't is always troublesome. Over time, people learn - or not - how to negotiate what's difficult, but that doesn't mean the misfit has gone away entirely.
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Things are simple, it is us human beings that make it difficult.
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'One Hundred Years of Solitude' is a masterpiece because it is an episodic novel that has a rigorous form - an unprecedented combination. From the very beginning we know the town of Macondo will endure only a century, so there is a limit to the length of the narrative.
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A cat is never vulgar.
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If you can get yourself where you're not afraid of dying, then you can move forward a lot faster.
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The fundamental thing about my personality is that I think I'm an imposter.
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No person is just one particular emotion.
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I just wish that people will be kinder to me when I pass away.
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Mumbai may not be my city. But it is my kind of city.
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I think I have a strange relationship with time. I'm not really aware of that time passing. I don't feel that I'm wasteful with time. But I'm not aware of it passing.
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Everyone takes a bad selfie - the first thing is to know that.
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It's been great having my little girl. It's like having a workout 24 hours a day. I don't need to go to the gym! I'm chasing after my daughter everywhere she goes.
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You're gifted to do something.
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Don't be afraid to look silly.
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We are so isolated in our own little worlds, in our own little geographies, that it's pretty hard to understand where someone else is coming from. And so I think that we have to really think about what that means as a country and, frankly, whether this segregation that we have is durable over the long run.
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Hip-hop is such a disposable art form from a business standpoint. It never treats its artists as art; it never treats its product as art.
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The first time I went to Iraq was October 2002, when Saddam was still in power, and then, subsequently, in January of 2003, about three-and-a-half months before the U.S. invasion. So, I got to see the before and after of Iraq, basically, before and after the war.
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As a kid, there was a painting of 'Appeal to the Great Spirit' that I would see when I would get oatmeal bowls out of the cupboard. This painting, it was so real to me that it frightened me.
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I have this horrific thing where I'm really bad with names and faces. I have an appalling memory. Someone will come up to me in the street and go, 'Eddie!', and I'll try and give myself time by going into overdrive, 'Hey, hi! Nice to see you!' and start a whole conversation because I can't distinguish between who I know and who I don't.
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I lead a multi-faith life.
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It is time to leave behind the divisive battles of the past. It is time to move forward as one nation.
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Often, you're not quite sure what people have seen you in, but the script lands in your inbox. That was the case with 'The Night Manager.'
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We did a lot of high school productions. My first was 'Twelfth Night.' I played Viola. We did 'Much Ado About Nothing' and 'Taming of the Shrew,' and a lot of musicals: 'The Wiz,' 'Bye Bye Birdie,' 'Oliver.'
