Yogi Berra Quotes
Quotes to Explore
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I can think of no one that my grandparents knew, that told me stories and that I experienced myself, had any sense of social inferiority growing up in segregated Washington. None whatsoever.
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I've made up little mantras for myself, catchphrases from a screenwriting book that doesn't exist. One is 'Write the movie you'd pay to go see.' Another is 'Never let a character tell me something that the camera can show me.'
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A lot of times, I'm singing things that are observational and am definitely including myself.
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When I'm on stage, I know exactly where I am. It's not an ego thing or anything like that, but I am more in my body and aware of myself and aware of what I'm doing, and I feel more from that, from sharing the music.
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I'm not on fire for the Lord, so I tried to make myself generate this fire for the Lord.
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I come from an immigrant culture. I'm only a couple of generations away from having been a servant girl myself.
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I'm always trying to do the impossible to please people. It comes from not being secure in myself and not looking at the things within I have to fix. Sometimes you keep going because you don't want to face the truth.
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I don't have the looks to compete at a bar, and I'm not that funny. So the last thing I want is to be in a situation where that's what I'm competing on. I'd rather be on OkCupid or Match, where I can write a 300-word essay about myself that's really good.
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I always wanted to be honest with myself and to those who have had faith in me.
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I don't have any office; I can write everywhere. So, I put a piece of paper on the table, and then I travel. Literally, writing for me is like travelling. It's getting out of myself and living another life - maybe a better life.
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I pride myself on not being run of the mill. I don't want to be your umpteenth Fantine in 'Les Miz.'
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Every story I create, creates me. I write to create myself.
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I have really high expectations for myself, so I just want to go out there and compete.
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I base myself in African-derived music. Blues is one of the modern forms of African music.
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I don't regret what I did in the Sixties. I was young and took myself terribly seriously. In the Seventies, I spent too much time in inner-party factional disputes.
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In 1994, after four years of talking about travel on my first show, I realized I knew so little about the world - I knew so little about myself. I decided to quit my job and pursue a postgraduate degree in New York.
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I get 0.5 seconds to react to a ball, sometimes even less than that. I can't be thinking of what XYZ has said about me. I need to surrender myself to my natural instincts. My subconscious mind knows exactly what to do. It is trained to react. At home, my family doesn't discuss media coverage.
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You've heard me call myself a bluesman and a blues singer. I call myself a blues singer, but you ain't never heard me call myself a blues guitar man. Well, that's because there's been so many can do it better'n I can, play the blues better'n me. I think a lot of them have told me things, taught me things.
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Terrorists are people, too - they are given to error. Naipaul and then DeLillo do a good job in their novels of drawing this out: I'm thinking of DeLillo's contention in 'Mao II' that terrorists have replaced writers as the people who 'alter the inner-life of the culture.' I thought that was marvellous!
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I should be married and have 19 kids. And now I'm thinking my eggs are dying on the shelf. They're going to go past their expiration date. But it's what I chose, so I'm fine with that decision.
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Once a year I will clean my room, just because I feel I should.
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It is the way you feel that is your point of attraction.
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I don't like seeing myself on television. I don't like it.
